Name: Magdalena Kožená & La Cetra
Start: 2022-12-14T00:00:00.000Z
End: 2022-12-14T00:00:00.000Z
Location: Henry Le Boeuf Zaal

Organization

Conductor

Andrea Marcon

Mezzo-soprano

Magdalena Kožená

Stage director

Ondřej Havelka

Orchestra

La Cetra Barockorchester Basel

Bozar

Magdalena Kožená & La Cetra

Brussels

Belgium

Henry Le Boeuf Zaal

Magdalena Kožená & La Cetra: Concert Various

Public

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Tenor

Singer

Soprano

Baritone

Contralto

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Magdalena Kožená can sing anything. The mezzo-soprano proves it yet again by bringing Monteverdi's The Combat of Tancredi and Clorinda to life. This work, premiered during the 1624 Venice Carnival, is included in the pre-Baroque composer's collection of Madrigals of War and Love. With stage directions for the narrator - here played by the excellent mezzo-soprano - it marks a step forward in the theatricalisation of the madrigal and is therefore avant-garde, as are the other richly inventive vocal works that join it in this programme, such as the formidable Sequenza III by Luciano Berio, and Arianna has a Problem, based on Monteverdi's Lamento d'Arianna, which the Czech composer Marko Ivanović dedicated to his compatriot in 2016

English

Magdalena Kožená can sing anything. The mezzo-soprano proves it yet again by bringing Monteverdi's The Combat of Tancredi and Clorinda to life. This work, premiered during the 1624 Venice Carnival, is included in the pre-Baroque composer's collection of Madrigals of War and Love. With stage directions for the narrator - here played by the excellent mezzo-soprano - it marks a step forward in the theatricalisation of the madrigal and is therefore avant-garde, as are the other richly inventive vocal works that join it in this programme, such as the formidable Sequenza III by Luciano Berio, and Arianna has a Problem, based on Monteverdi's Lamento d'Arianna, which the Czech composer Marko Ivanović dedicated to his compatriot in 2016.

italiano

Magdalena Kožená & La Cetra by Various, Alkaen (2022/2022), Ohjannut Ondřej Havelka,, Musiikinjohto Andrea Marcon, Henry Le Boeuf Zaal, Brussels, Belgium

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