Jérémie Brocard studied singing at the University of Music in Geneva and specialized at the HKB Swiss Opera Studio. In 2011 he won the international Kammeroper Rheinsberg Competition. He has performed at the Geneva, Paris, Lorraine, Amsterdam operas and at the Avenches Arenas. He has performed Seneca in L’incoronazione di Poppea, Don Basilio and Bartolo in Il barbiere di Siviglia, the commander in Don Giovanni, Don Alfonso in Così fan tutte, the Grand Inquisitor in Don Carlos, the Marquis of Obigny in La Traviata, Zuniga in Carmen, Lord of Béthune in Les Vêpres siciliennes, the herald in L’amour des trois oranges, Schaunard in La bohème, Fafner and Hagen in Siegfried et l’anneau maudit based on Wagner, and the sacristan in Tosca. He has regularly performed from the oratorio repertoire with
Upcoming performances Today Onwards
Past performances 2008 — Yesterday
La Traviata (La traviata), Verdi
Opéra national de LorraineIl marchese d'Obigny (The Marquis of Obigny)
View cast and crewLa Traviata (La traviata), Verdi
Clermont Auvergne OpéraIl dottor Grenvil (The doctor Grenvil)
View cast and crew-
Pelléas et Mélisande (Pelléas and Mélisande), Debussy
Théâtre du PassageUn Médecin (Doctor) + 1 roles
View cast and crewLa Traviata (La traviata), Verdi
Opéra national de LorraineIl marchese d'Obigny (The Marquis of Obigny)
View cast and crewLa Traviata (La traviata), Verdi
Clermont Auvergne OpéraIl dottor Grenvil (The doctor Grenvil)
View cast and crew-
Pelléas et Mélisande (Pelléas and Mélisande), Debussy
Théâtre du PassageUn Médecin (Doctor) + 1 roles
View cast and crewJérémie Brocard studied singing at the University of Music in Geneva and specialized at the HKB Swiss Opera Studio. In 2011 he won the international Kammeroper Rheinsberg Competition. He has performed at the Geneva, Paris, Lorraine, Amsterdam operas and at the Avenches Arenas. He has performed Seneca in L’incoronazione di Poppea, Don Basilio and Bartolo in Il barbiere di Siviglia, the commander in Don Giovanni, Don Alfonso in Così fan tutte, the Grand Inquisitor in Don Carlos, the Marquis of Obigny in La Traviata, Zuniga in Carmen, Lord of Béthune in Les Vêpres siciliennes, the herald in L’amour des trois oranges, Schaunard in La bohème, Fafner and Hagen in Siegfried et l’anneau maudit based on Wagner, and the sacristan in Tosca. He has regularly performed from the oratorio repertoire with