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BUDAPEST, HUNGARIAN NATIONAL OPERA: “THE RAKE’S PROGRESS

András Palerdi (Trulove), artista conosciuto e amato dal pubblico di Budapest, convince con una vocalità piena e fiera nella scansione del fraseggio ed è capace di conferire la giusta importanza al ruolo seppur vestendo i panni stilizzati del padre campagnolo e diffidente nei confronti del pretendente Tom.

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22 januar 2015www.gbopera.itTOMMASO BENCIOLINI

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The Rake's Progress, Stravinsky
D: Ferenc Anger
C: Erik Nielsen
BUDAPEST, HUNGARIAN NATIONAL OPERA: “THE RAKE’S PROGRESS

András Palerdi (Trulove), artista conosciuto e amato dal pubblico di Budapest, convince con una vocalità piena e fiera nella scansione del fraseggio ed è capace di conferire la giusta importanza al ruolo seppur vestendo i panni stilizzati del padre campagnolo e diffidente nei confronti del pretendente Tom.

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22 januar 2015www.gbopera.itTOMMASO BENCIOLINI
A kékszakállú herceg vára, Bartók
D: Kasper Holten
C: Gregory VajdaPeter Eötvös
Eccentric Double Bill Offers Electrifying Social Commentary

Quickly at the head of this confusing congregation was the magician Cipolla, played by mesmerizing bass Andras Palerdi. With his flowing robes, long hair and beard, and air of mystique, the design of Palerdi’s Cipolla created a resemblance to the historical ribald moujik, Grigori Rasputin; a connection made all the more tangible by Cipolla’s overwhelming power of suggestion and hypnosis. The earlier parts of the opera featured a number of exchanges between Cipolla and the crowd of characters, wherein which a feat from the magician would send them into a burst of musical squabble before Palerdi’s seizing bass would silence them and, joined by more legato phrasing, would begin to work his spell again. Examples of this included a challenge from the crowd to solve complex arithmetic in his mind, and to find a hidden rose after being blindfolded; this later challenge featured an extended slow rise in the orchestra which heightened the anticipation leading to the reveal of the rose.

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06 november 2018operawire.comLogan Martell