Direction d'orchestre
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Vos critiques
1Utrecht-Nápoles con escala en Venecia
"The triumph was absolute, and when it is achieved before an audience that has come virgin of prejudices and expectations, and without resorting to tricks or concessions to easy applause such as those that abound so much in the world of ancient music, it is much more valuable and significant..."
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Critiques de productions passés
1Il Trionfo del Tempo e del Disinganno, Händel
D: Anna-Sophie Mahler
C: Andrés Locatelli
Opernpremiere als Schönheitslabor: Experiment ausser Kontrolle
Tania Lorenzo rises from the silent lament of the loss of youth and beauty. And she does this with such expressive power that you have to tick rows of words - sublime, melancholic, sublime - on the questionnaire. [...] Then, for example, when the researcher, entrenched behind her façade, loses her composure in the face of the soprano's emotional power.
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