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Don Carlos (French version), Verdi
D: Vincent Huguet
C: Michele Spotti
VIEL LÄRM UM EHER WENIG

...erwärmte sich ihre Stimme sofort und war danach die vollen vier Stunden mit abweisenden oder warmen Tönen stets wunderbar präsent, steigerte sich zu einer famosen „Toi qui sus le Néant des grandeurs de ce monde“ – Arie, die den stärksten Applaus des Abends erhielt.

Διαβάστε περισσότερα
25 Απρίλιος 2022onlinemerker.comAlex Eisinger
The Nose, op. 15, Shostakovich
D: Herbert Fritsch
C: Clemens Heil
One is drawn into a sound experience by many surprising influences from various musical styles.

Herbert Fritsch , known for his colorful and extremely lively productions, makes all the actors appear like puppets in constant motion and demands everything from the singers. There is hardly a moment when there aren't exaggerated gestures and constant jumping, twitching and grimacing. Everything looks extremely abstract. This may have some entertainment value, but over time it just becomes too much.

Διαβάστε περισσότερα
30 Νοέμβριος 2021opernmagazin.deMarco Stücklin
One is drawn into a sound experience by many surprising influences from various musical styles.

Herbert Fritsch , known for his colorful and extremely lively productions, makes all the actors appear like puppets in constant motion and demands everything from the singers. There is hardly a moment when there aren't exaggerated gestures and constant jumping, twitching and grimacing. Everything looks extremely abstract. This may have some entertainment value, but over time it just becomes too much.

Διαβάστε περισσότερα
30 Νοέμβριος 2021opernmagazin.deMarco Stücklin