Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2010 — Ilbieraħ
Requiem, Pelas Vítimas do Fascismo em Portugal, op. 210 (Requiem for the Victims of Fascism in Portugal), Lopes-Graça
Fundação Centro Cultural de BelémMezzo-soprano
Ara l-cast u l-ekwipaġġDie Fledermaus (The Bat), Strauss II
Teatro Nacional de São CarlosPrinz Orlofsky (Prince Orlofsky)
Ara l-cast u l-ekwipaġġMadama Butterfly (Madame Butterfly), Puccini
Teatro Nacional de São CarlosSuzuki
Ara l-cast u l-ekwipaġġ-
Dehru wirjiet tal-passat
Requiem, Pelas Vítimas do Fascismo em Portugal, op. 210 (Requiem for the Victims of Fascism in Portugal), Lopes-Graça
Fundação Centro Cultural de BelémMezzo-soprano
Ara l-cast u l-ekwipaġġ
Madama Butterfly (Madame Butterfly), Puccini
Teatro Nacional de São CarlosSuzuki
Ara l-cast u l-ekwipaġġ-
Prestazzjonijiet li ġejjin
4Trilogia das Barcas, Braga Santos
Teatro Nacional de São CarlosBrizida Vaz + 1 rwoli
Ara l-cast u l-ekwipaġġ
Bijografija
Considered by reviews with a "refined and browsed low register with resonant and powerful high notes" the Portuguese mezzo-soprano Cátia Moreso operatic roles include Jocasta in Oedipus Rex, Suzuki in Madame Butterfly, La baronesa in Lidane y Dalmiro (Lisbon Opera House), Ježibaba and 3rd Nymph in Rusalka in Valladolid, Dona Mor in O cavaleiro das mãos action all São by Ruy Coelho, Mother Goose the The Rake's Progress, Tisbe La Cenerentola, Eva in Comedy on the Bridge, Second Witch and Spirit in Dido and Aeneas, Page in Salome, Clotilde in Norma (Lisbon Opera House), Maddalena and Giovanna in Rigoletto, Mezzo in trio vocal of Lady Sarashina by Péter Eötvös, Giano in Almeida’s Trionfo D’Amore (Músicos do Tejo, Lisboa), 3rd Woman Farmer Village Romeo and Juliet by Delius, 3rd Lady in The Ma
