Būsimi pasirodymai Šiandien Pirmyn
Ankstesni pasirodymai 2022 – vakar
Beethoven Fest 2024, AdamsBeethoven
Ann Arbour Symphony OrchestraTenor
Peržiūrėkite programą, aktorius ir įguląOpera Saratoga X Juilliard Recital Series, Various
Opera SaratogaTenor
Peržiūrėti atlikėjus ir komandąNew York Festival of Song: Gracias a la vida, Various
Kaufman Music CenterTenor
Peržiūrėti atlikėjus ir komandąRecital: Ana María Martínez Soprano and Myra Huang Piano, Turina, J.FallaChapíMoreno TorrobaSorozábalObradorsPenella
Aspen Music FestivalSoloist (Soloists) + 3 vaidmenų
Peržiūrėkite programą, aktorius ir įguląBeethoven Fest 2024, AdamsBeethoven
Ann Arbour Symphony OrchestraTenor
Peržiūrėkite programą, aktorius ir įguląNew York Festival of Song: Gracias a la vida, Various
Kaufman Music CenterTenor
Peržiūrėti atlikėjus ir komandąRecital: Ana María Martínez Soprano and Myra Huang Piano, Turina, J.FallaChapíMoreno TorrobaSorozábalObradorsPenella
Aspen Music FestivalSoloist (Soloists) + 3 vaidmenų
Peržiūrėkite programą, aktorius ir įguląPops, Patriots, & Fireworks, Smith, J. S.Sousa, J. P.BockSheldon, R.Williams, CliftonPucciniTchaikovsky, P. I.
Caramoor Center for Music and the ArtsCalaf (The Unknown Prince) (Calaf) + 1 vaidmenų
Peržiūrėkite programą, aktorius ir įguląTenor César Andrés Parreño is a native from Manabí, Ecuador. In early 2020, Parreño made his Peter Jay Sharp Theater soloist debut in NYFOS@Juilliard, and has performed in two other NYFOS concerts since. In 2021, Parreño made his Juilliard Orchestra soloist debut on Stravinsky’s Pulcinella conducted by Barbara Hannigan. Last season at Juilliard, Parreño starred as “Tom Rakewell” in The Rake’s Progress and sung “Momo” in Luigi Rossi’s L’Orfeo with Juilliard 415. In 2022, Parreño became an alumni of the Schwab Vocal Rising Stars program, a week long residency at Caramoor focused on song repertoire, concluding with a concert at Merkin Hall, in New York City. In the summer, as a Gerdine Young Artist, Parreño made his debut with Opera Theater of Saint Louis as “Le Remendado” in Bizet’s Carmen