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Soprano

Cláudia Azevedo

Artist

Approved

2016

2015

2013

2011

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Clarinettist

Flautist

Hornist

Oboist

Contrabassist

Organist

Bassoonist

Trumpetist

Percussionist

Guitarist

Harpist

Trombonist

Saxophonist

Harpsichordist

Accordionist

Double Bass Player

Tuba Player

Bassist

Recorder Player

Timpani

Lutenist

Chorus

Bandoneón Player

Harmonium Player

Mandolinist

Theorbist

Baroque Flutist

Vibraphonist

Ondes Martenot Player

Cornettist

Tenor Violinist

Tabla Player

Oud player

Baroque Oboist

Concertmaster

Pipa Player

Sitar Player

Baroque Trumpetist

Archlutenist

Violino Piccolo Player

Chalumeau Player

Electric Bass Guitarist

Bayan Player

Pan Flute Player

Guzheng Player

Euphonium Player

Bass Clarinettist

Musette de cour Player

Viola Pomposa Player

Mridangam Player

Bagpipe Player

Whistle Player

Cuatro Player

Kamancha Player

Lyre Player

Baroque Cellist

Continuo

Sheng Player

Viola d’amore Player

Hurdy-gurdy Player

Dulcian Player

Carillonist

Claves Player

Handpan Player

Tar Player

Birbynė Player

Bombard Player

Didgeridoo Player

Dizi Player

Helicon Player

Ney Player

Shofar Player

Sousaphone Player

Tárogató Player

Bağlama Player

Citole Player

Haegeum Player

Kantele Player

Kora Player

Morin Khuur Player

Qanun Player

Santoor Player

Sarangi Player

Tanpura Player

Accompanist

Synthesizer Player

Basset-horn player

Gayageum Player

Suona Player

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Dancer

Choreographer

Actor

Lighting designer

Chorus master

Music arranger

Video

Dramaturge

Sound designer

Translator

Répétiteur

Makeup artist

Executive producer

Musical Theater performer

Stage manager

Stage combat master

Hairstylist

Narrator

Other

Wigs designer

Puppeteer

Musical director

Stage technician

Writer

Vocal coach

Photographer

Illustrator

Teacher

Ballet master

Surtitler

Orchestra

Film director

Playwright

Electronics

Broadcaster

Lyricist

Chorus Director

Executive Production

Agent

Orchestra Operations

Grip

Properties and Scenic Design Director

Stage & Production Manager

Extra

Stage musical director

Artistic Planning & Administration

Contralto

Singer

Bass

Tenor

Bass-baritone

Countertenor

Mezzo-soprano

Baritone

Child vocalist

Spoken

Silent

Alto

Poet

Claudia de Azevedo was born in São Sebastião do Caí, Brazil. She received her
musical degree from the Universidade Federal do Rio Grande do Sul-Brazil and then
received a scholarship to attend the Concervatorio Superior de Musica del Gran Teatro
del Liceo de Barcelona where she studied with Raul Gimenez, Eduard Gimenez and
Raquel Pierotti. She furthered her studies with Raul Gimenez at the Akademie Bel Canto
Rossini Opera Festival in Wildbad, Germany. From there, she received an invitation to
sing the demanding role of Corinna in “Il Viaggio a Reims” at the Rossini Opera Festival
in Pesaro, Italy by Maestro Alberto Zedda. After her success in Pesaro, Claudia returned
to Brazil to sing Silberklang in “Der Shauspieldirektor” (Mozart) at the Teatro Sao Pedro
Porto Alegre followed by an invitation to sing Anchenn in “Der Freischutz” (Weber) in
Valladolid, Spain and a recital of bel canto arias in Barcelona for the “Friends of the
Teatro Liceo.” More recently she has sung Adina in “Elisir d’Amore” (Donizetti),
Micaela in “Carmen” (Bizet), Vivaldi’s “Gloria,” Donizetti’s “Rita,” and Pamina in
Mozart’s “Die Zauberflote”
 A much sought after Soprano for concert and oratorio work, Claudia has sung with
many of the top orchestras in Brazil such as Filarmonica de Minas Gerais, the Amazonas
Filarmonica in Manaus, Orquestra Sinfonica de Porto Alegre, Orquestra Sinfonica de
Bahia, Sinfonica de Campinas, Sinfonica do Parana, Orquestra de Camara Teatro Sao
Pedro in such works as Beethoven’s 9th Symphony, Carmina Burana, Haydn’s “The
Creation” and “Missa in Tempore Belli” Mendelssohn’s “Lobgesang op. 52” Carlos
Gomes’ “Condor” Bach’s “Coffee Cantata” Cantata no.51” and “Christmas Oratorio”
(Weihnachtsoratorium) and Jose Mauricio Nunes Garcia’s “Missa Santa Cecilia.”
 Claudia is also the winner of the 2005 Bidu Sayao International Competition, the 2008
Teatro Colon International Young Voice Competition in Buenos Aires, Argentina and
Aldo Baldin Competition- Brazil.

engelsk

A beleza do timbre e o refinamento musical vem fazendo da cantora Cláudia Azevedo uma das vozes mais promissoras da lírica nacional.

 

Debutou na Europa no aclamado Rossini Opera Festival de Pesaro, Itália, com a Orchestra del Teatro Comunale di Bologna sob regência de Alberto Zedda e direção de Emilio Sagi, interpretando Corinna em Il Viaggio a Reims. Primeira cantora brasileira a participar do festival dedicado a Rossini, teve sua atuação destacada pela revista espanhola Opera Actual. No mesmo ano estreia como Ännchen em Der Freischütz, de Weber, em Valladolid, Espanha e apresenta-se em recital com obras do Bel Canto italiano e Mozart para os Amics del Gran Teatro del Liceo de Barcelona. O ano de 2011 marca sua estreia em New York como Ismene na ópera Mitridate, Re di Ponto, de Mozart, com enorme sucesso junto ao público e crítica especializada.

​

Presença constante nas temporadas das principais orquestras brasileiras, Cláudia apresentou-se em concertos e óperas com a Filarmônica de Minas Gerais, Amazonas Filarmônica, orquestras Sinfônica Brasileira, Municipal de Campinas, de Porto Alegre, da Bahia, do Paraná, Orquestra de Câmara do Theatro São Pedro, Opera Orchestra Curytiba e Orquestra Unisinos Anchieta. Foi soprano solista em Carmina Burana, de Orff; Missa de Santa Cecília, de José Maurício Nunes Garcia; A Criação e Missa in Tempori Belli, de Haydn; Gloria, de Vivaldi; Cantata n. 51, Cantata do Café, Cantata n.110 e Cantata n. 208, de Bach; Nona Sinfonia e Fantasia Coral, de Beethoven; e Lobgesang, de Mendelssohn. Interpretou Micaela, em Carmen, de Bizet; Adina, em L’Elisir d’Amore, de Donizetti; Berenice, em L’occasione  fa il ladro, de Rossini;  Silberklang, em Der Schauspieldirektor, e  Susanna, em Le Nozze di Figaro, de Mozart. Em 2013, estreou com grande sucesso como Fiorilla, em Il Turco in Italia, de Rossini, no Theatro Municipal do Rio de Janeiro; e como Musetta, em La Bohème, de Puccini, no Theatro Municipal de São Paulo.

Em 2016, retornou ao Theatro Municipal do Rio de Janeiro como Contessa di Boissy, na premiada produção de Lo Schiavo, de Carlos Gomes, por ocasião do aniversário de 120 anos da morte do compositor, sob regência de Roberto Duarte e direção cênica de Pier Francesco Maestrini.

​

Vencedora dos concursos Audiciones Jovenes Voces Liricas del Teatro Colón, Concurso Internacional de Canto  Aldo Baldin e Terceiro Prêmio do VI Concurso Internacional de Canto Bidú Sayão, Cláudia trabalhou sob regência de Fabio Mechetti, John Neschling, Jader Bignamini, Luiz Fernando Malheiro, José Miguel-Pérez Sierra, Alberto Zedda, Emil Tabakov, Karl Martin, Alessandro Sangiorgi, Antonio Borges Cunha, Yuval Zorn, Pierre Vallet,Richard Cordova, Vlad Iftinca, entre outros.

 

É graduada em Música pelo Instituto de Artes da Universidade Federal do Rio Grande do Sul e especializada pelo Conservatorio Superior de Musica del Gran Teatro del Liceo de Barcelona, pela Akademie Bel Canto do Rossini Opera Festival de Wildbad, Alemanha e pelo programa de jovens solistas do Metropolitan Opera House de Nova Iorque.

Cláudia Azevedo

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