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Davide Perniceni

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After having completed his studies in piano and composition at the Conservatory "G. Donizetti" he studied with Aldo Ciccolini and dedicated himself to concert activity, including debuting as a soloist with the orchestra of I Pomeriggi Musicali and expanding his chamber repertoire with members of the Berliner Philharmoniker. 

His interest in ancient instruments led him to specialize in Fortepiano at the Schola Cantorum Basiliensis, where under the guidance of Edoardo Torbianelli he obtained the Master of Arts in historical performance practice on period instruments. Numerous concerts in France (Fondation Royaumont) and at the Tagliavini Collection in Bologna followed. 
The study of historical sources led him to become passionate about opera, which prompted him to dedicate himself more and more to working with singers. 

From 2011 to 2015 his experience as a coach/repetitor and assistant for the Donizetti Festival and the Teatro di Como As.Li.Co allowed him to build a vast bel canto repertoire, collaborating with singers of international repute and assisting numerous conductors, including Corrado Rovaris, Sebastiano Rolli, Christopher Franklin. At the same time he dedicated himself to conducting studies at the "Verdi" Conservatory in Milan with M° Parisi, and then he specialized with M° Gelmetti at the "Accademia Chigiana" in Siena.
After his operatic debut in 2014 with “L'Elisir d'amore” at the Teatro Mancinelli in Orvieto, he conducted “Betly” at the Teatro Donizetti and “L'Elisir d'amore” at the Teatro Sociale in Bergamo. At the Rubini Foundation he conducted “La Traviata” with the winners of the International singing competition. 
He has also collaborated for symphonic concerts with I Musici di Parma and I Pomeriggi Musicali in Milano (MiTo Festival). 

In September 2016 he became conductor and coach at the Theater Heidelberg in Germany, the performances of Haensel und Gretel, Die Zauberflöte, Freischütz, Anatevka, Don Pasquale were under his baton. 

A member of the Dirigentenforum since 2017, he has conducted the Vanemuine Symphony Orchestra in Estonia as well as the Südwestdeutsche Philharmonie Konstanz in Germany. 

He was invited in 2018 by the Daegu Opera House in Korea as musical director from the Harpsichord for “Le nozze di Figaro”. 

For the Baroque Festival Winter in Schwetzingen he was musical assistant and conductor from the harpsichord in Zingarelli´s “Giulietta e Romeo” (2016), from the fortepiano in Porpora´s “Mitridate” (2017) and in November 2018 he was musical director from the harpsichord of “La Verità in cimento” by Vivaldi. 

In 2019 he conducted “Il Barbiere di Siviglia” at the Theater Kiel and Kalman's operetta “Die Herzogin von Chicago” in Bremerhaven. 
As 1. Kapellmeister at the Stadttheater Bremerhaven he recently conducted “La Cenerentola” and “Cavalleria rusticana/Pagliacci” as well as the musicals “Der Graf von Montechristo” and “Chicago”. 

Since 2019 he has been regularly invited to conduct symphonic concerts with the Baden-Baden Philharmonie. 

Engagements in the season 21/22 include the musical “Chess”, „Les Contes d´Hoffmann“, „Die Entführung aus dem Serail“ and „Der Kaiser von Atlantis“, as well as a symphonic concert and an Operettengala.

English

Nach Abschluss seines Klavier- und Kompositionsstudiums in Bergamo spezialisierte Davide Perniceni sich bei Aldo Ciccolini und widmete sich der Konzerttätigkeit. 

Er erlangte seinen Master of Arts in Klavier an der Schola Cantorum Basiliensis, das Dirigierstudium absolvierte er in Mailand und in Siena bei Gelmetti an der Accademia Musicale Chigiana. 

2014 debütierte er als Dirigent in Orvieto mit L’elisir d’amore und in Bergamo mit Betly. Darüber hinaus dirigierte er viele Konzerte mit dem Orchester I Pomeriggi Musicali. 

2011 war Perniceni Korrepetitor und Dirigent beim Donizetti Opera Festival und beim Teatro Sociale di Como. 

2016 war er als Dirigent und Korrepetitor am Theater Heidelberg engagiert, wo er Hänsel und Gretel, Die Zauberflöte, Der Freischütz, Anatevka und Don Pasquale dirigierte.

2018 übernahm er die musikalische Leitung von Le nozze di Figaro am Daegu Opera House in Korea. 

Des Weiteren war er Assistent und Dirigent am Cembalo für die Barockfestspiele Winter in Schwetzingen bei Giulietta e Romeo von Zingarelli und Mitridate von Porpora. 
2018 war er dort musikalischer Leiter von Vivaldis La Verità in Cimento. 

Seit der Spielzeit 2019/20 ist er 1. Kapellmeister am Stadttheater Bremerhaven. 

Er ist regelmäßiger Gastdirigent bei der Philharmonie Baden-Baden.

Davide Perniceni / Repertoire

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