Deborah Humble / Recenzje

“German-based Australian mezzo Deborah Humble acted the part of the vengeful and besotted princess most believably…a confident and strong performer.” (Amneris, Aida. Opera Australia, Melbourne). ConcertoNet.com <br> <br> “Deborah Humble, as Amneris, acquits herself with success. Humble shines in the judgement scene, when Amneris regrets the deadly impulse of her jealousy.” Simon Parris, Opera Review <br> <br> “The best of the principals is Deborah Humble. She looks very princess-like and sings accurately throughout. Her rage at the end of the powerful scene when she vituperates Radame’s accusers, injects much needed emotion.” Viva Verdi! <br> <br> “Deborah Humble’s torturous lamenting near the end of the opera is a highlight.” Joel Carnegie, Herald Sun <br> <br> Deborah Humble was a fierce and effective Amneris.” Stage Whispers <br> <br> “The Amneris of Deborah Humble…dramatically vigorous.” Michael Shmith, The Age <br> <br> “Deborah Humble’s Amneris…her voice was only enhanced by her acting and her performance was greatly appreciated by the audience.” Peter Kemp

“Deborah Humble has long been an experienced Erda and sings the role with resonant pathos and a bright mezzo soprano – pure tonal pleasure on every single note! She also sang a flawless Waltraute.” Klaus Billand, Der Neue Merker <br> <br> “Deborah Humble gives us a memorable Erda and Waltraute…” Harriet Cunningham, The Opera Critic <br> <br> “…Deborah Humble who scored as Erda and Waltraute with a subtly balanced mezzo-soprano.” Stephan Moesch, Opernwelt <br> <br> “Deborah Humble was a noble Erda…and she also excelled as the Walkuere and Goetterdaemmerung Waltrautes.” Michael Shmith, Opera Magazine <br> <br> “…Erda’s song of warning to Wotan, here thrillingly rendered by Deborah Humble.” WH Chong, Daily Review <br> <br> “I will not quickly forget Deborah Humble’s deeply affecting Erda…” Simon Plant, Herald Sun <br> <br> “Wotan…is magnetic on stage. So too is his nemesis, Deborah Humble as Erda the earth goddess in her one brief yet unforgettable scene of warning (or is it threat?). Hers is a magnificent wine dark mezzo that can effortlessly hold its own with huge orchestral forces even in its lowest register.” Alan John, Limelight Magazine <br> <br> “Deborah Humble’s Erda reveals with pathos the prophetic voice of feminine, power-renouncing reason that resonates throughout the cycle.” Eamon Kelly, The Australian <br> <br> “There were formidable performances too…Deborah Humble as an affecting Erda…” Simon Plant, Herald Sun <br> <br> “Deborah Humble’s entry as Erda…singing with dark warmth…” Peter McCallum, Sydney Morning Herald <br> <br> “Deborah Humble’s blind Erda made me look forward to hearing her in Siegfried…” Michael Shmith, The Age