Fyrri sýningar 2015 — Í gær
La Traviata di Giuseppe Verdi, Verdi
Cineteatro GavazzeniAnnina + 1 hlutverk
Skoða leikara og mannskapConcert of Opera, MozartChopinPaolo TostiSartori, F.VerdiPoulencFranckDonizettiLehárDi Capua, E.PucciniThomasRodgersRombergBizetSaint-SaënsLara, Agustín
Atterbury TeaterSoprano + 6 hlutverk
Skoða dagskrá, leikarahóp og mannskapProgressive Musicians and Sound Espressivo, MozartRentowskiBach, J. S.HändelVivaldiChopinJames AdlerStegmann, R.Tchaikovsky, P. I.Albéniz, I.RodrigoHenry Charles LitolffYang, G. Q.Borne, F.
Carnegie HallSusanna
Skoða dagskrá, leikarahóp og mannskapMario Lanza Birthday Remembrance Party, Giuliani, Mauro
Mario Lanza Institute & Museumsoprano
Skoða leikara og mannskapA Concert of Classica Music, Various
City of Dallas Office Art & CultureSoprano
Skoða leikara og mannskapLa Traviata di Giuseppe Verdi, Verdi
Cineteatro GavazzeniAnnina + 1 hlutverk
Skoða leikara og mannskapConcert of Opera, MozartChopinPaolo TostiSartori, F.VerdiPoulencFranckDonizettiLehárDi Capua, E.PucciniThomasRodgersRombergBizetSaint-SaënsLara, Agustín
Atterbury TeaterSoprano + 6 hlutverk
Skoða dagskrá, leikarahóp og mannskapProgressive Musicians and Sound Espressivo, MozartRentowskiBach, J. S.HändelVivaldiChopinJames AdlerStegmann, R.Tchaikovsky, P. I.Albéniz, I.RodrigoHenry Charles LitolffYang, G. Q.Borne, F.
Carnegie HallSusanna
Skoða dagskrá, leikarahóp og mannskapMario Lanza Birthday Remembrance Party, Giuliani, Mauro
Mario Lanza Institute & Museumsoprano
Skoða leikara og mannskapThree Poems of Henry Wadsworth Longfellow by Timothy L Miller, Dominika Zamara soprano, live in NYC
Soprano Dominika Zamara gained musical recognition early in her native Poland. In 2007, she graduated (with honors) from the prestigious Wrocław University of Music, and directly went to Italy, in pursuit of higher artistic study. Having won a scholarship from the Verona State Conservatory, she performed in masterclasses with some of Italy’s most highly regarded operatic teachers. These include Alida Ferrarini, Bruno Pola, and Enrico De Mori — the latter being highly important for her future professional growth. Her operatic debut took place in 2010 as Mimi, in Puccini’s “La Boheme” under the direction of Maestro De Mori. Her outstanding vocal qualities, dynamic stage presence, and versatility in multiple genres (opera, lieder and Art song, chamber, and Contemporary music), quickly led to