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Mezzo-soprano

Edineia Oliveira

Belo Horizonte

Brazil

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Mezzo soprano Mineira, Bachelor in singing from UNESP, student of Neyde Thomas, Carmo Barbosa and Fernando Carvalhaes and improvement with Claudia Friedlander in the USA.

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His first performance as an International soloist was with the Ars Nova Choir at the formal opening of the Seoul Olympic Games with the work "Inhança" by Carlos Alberto Pinto Fonseca, a work written and dedicated to his voice.

 

 

Ébole in Don Carlo (Argentina), Carmen in the title role (RJ), Amneris in Aida (Argentina), Azucena in Il Trovatore (Mexico), Serena in Porgy and Bess (SP), Requiem by Verdi (SP and Argentina), Maddalena in Rigoleto (SP), Die Hexe in Hänzel und Gretchen (Pr and Df) Adalgisa in Norma (SPe Argentina) ,LA Frugola/ Zia Principeza/Zita in Il Tiptico (RJ, SP, PR) are in their most recent successful operas audience and critics and point out mezzo mineira as one of the most prominent Brazilian voices on the national and international scene.

She has a vast lyrical and symphonic repertoire, under the baton of renowned conductors such as:

Lorin Mazel in the “Ninth Symphony of Beethoven” at the Municipal Theater of Rio de Janeiro, a work performed in numerous performances;

Eiji Oue in “Jeremiah” - Sala São Paulo;

Ligia Amadio in “Lieder eines Fahenden Geselen” - Colombia;

Alessandro Sangiorgi “Il Triptiptico” by Pucini at TMRJ eTMSP;

Gennady Rozhdestvensky in “Mahler's Eighth Symphony”;

“Second Symphony of Malher” with Isaack Karabtchevsk at Sala São Paulo and Fabio Mechetti at the Opening Concert and Season of Sala Minhas Gerais;

Allester Williams in “Sea Pictures” Sala Cecília Meireles;

Ligia Amadio and Tulio Colaccioppo in “Requiem de Verdi” at the Municipal Theater of São Paulo and Municipal Theater of Mendoza, respectively; Guilherme Bernstein in “Stabat Mater” – Pergolesi; dozens of other titles with conductors of equal respect.

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Holder of the Carlos Gomes Award and several awards in singing competitions, she has performed in all the most important rooms and theaters in the country.

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Among other repertoire works besides those already mentioned are “Paixões Segundo S. João e Mateus” - Bach,

“The Messiah” - Handel;

“Petit Messe Solenel” Rossini;

”Violanta” -Korngold; Madeleine

“Rigoleto”-Verdi;

“Pedro Malazarte” Guarnieri;

“Jargal Bug” - Gamma Malcher;

Lola in “Cavaleria Rusticana”;

Delilah in “Samson and Delilah”

The Rape of Lucrecia - Britten;

among many others.

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He recorded with the group "Brasilessência" three CDs of Brazilian Colonial Music.

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Creator and creator of the Lyrical Singing Course

"Breathe and Sing";

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Co-founder and teacher of the course "Voice and Body";

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Co-founder and teacher of the "Opera 45" project.

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Edineia Oliveira / Biografi

Biografi

Udforsk mere om Edineia Oliveira