Tulevased etendused Tänasest Edasi
Varasemad etendused 2017 – eile
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Komische Oper BerlinTatyana (Tatiana)
Vaadake näitlejaid ja meeskonda-
-
Die Walküre (The Valkyrie), Wagner, Richard
Mariinsky TheatreSieglinde
Vaadake näitlejaid ja meeskondaDer Idiot (The idiot), Weinberg
ORF Vienna Radio Symphony OrchestraNastassja Filippowna (Nastassya Filippovna)
Vaadake näitlejaid ja meeskondaYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Komische Oper BerlinTatyana (Tatiana)
Vaadake näitlejaid ja meeskonda-
Die Walküre (The Valkyrie), Wagner, Richard
Mariinsky TheatreSieglinde
Vaadake näitlejaid ja meeskondaDer Idiot (The idiot), Weinberg
ORF Vienna Radio Symphony OrchestraNastassja Filippowna (Nastassya Filippovna)
Vaadake näitlejaid ja meeskondaYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Deutsche Oper am RheinTatyana (Tatiana)
Vaadake näitlejaid ja meeskondaAida, Verdi
Oper im SteinbruchAida
Vaadake näitlejaid ja meeskondaK20:30
St Margarethen, AustriaN20:30
St Margarethen, AustriaR20:30
St Margarethen, AustriaL20:30
St Margarethen, AustriaN20:30
St Margarethen, AustriaR20:30
St Margarethen, AustriaL20:30
St Margarethen, AustriaP20:30
St Margarethen, AustriaN20:30
St Margarethen, AustriaVissi d’arte
Soprano Ekaterina Sannikova is educated both as a drama actress and an opera singer. A graduate of the Tver Music College and Saint Petersburg Conservatory (MM in Vocal Performance. In the summer of 2018 Ekaterina made her Mariinsky debut as Fiordiligi in W. A. Mozart’s “Cosi fan tutte”, in a title role of Iolanta in Tchaikovsky’s “Iolanta”and Mimi in G. Puccini’s “La Boheme” on Mariinsky legendary historic stage. She appeared in a title role of Vera Sheloga (2019 premiere) as well as Olga in double bill of “Vera Sheloga”/”Maid of Pskov” by N. A. Rimsky-Korsakov at the Mariinsky-2. She also appeared on festival “Stars of the White Nights” as 1 Soprano in Mahler’s 8th Symphony with Mariinsky orchestra under the baton of Valery Gergiev, as Nedda “I Pagliacci” and Clara at Prokofiev’s “Betrot