Upcoming performances Today Onwards
Past performances 2018 — Yesterday
Florencia en el Amazonas (Florencia in the Amazons), Catán
The Metropolitan OperaRosalba
View cast and crewCavalleria rusticana (Rustic Chivalry), Mascagni
Pagliacci, Leoncavallo
Lyric Opera of Kansas CityNedda
View programme, cast and crewA Knee on the Neck, PärtVaughan WilliamsHailstork
The New York Choral SocietySoprano
View programme, cast and crewFlorencia en el Amazonas (Florencia in the Amazons), Catán
The Metropolitan OperaRosalba
View cast and crewCavalleria rusticana (Rustic Chivalry), Mascagni
Pagliacci, Leoncavallo
Lyric Opera of Kansas CityNedda
View programme, cast and crewA Knee on the Neck, PärtVaughan WilliamsHailstork
The New York Choral SocietySoprano
View programme, cast and crewBeethoven’s Fidelio with Dudamel and Deaf West Theatre, Beethoven
LA PhilMarzelline
View cast and crewFidelio, Beethoven
Gran Teatre del LiceuMarzelline
View cast and crewAinadamar, Golijov
The Metropolitan OperaMargarita Xirgu (Young Margarita)
View cast and crewWed19:00
New York City, United StatesLa Bohème, Puccini
The Metropolitan OperaMimì (Mimi)
View cast and crewSat12:30
New York City, United StatesLa Bohème, Puccini
Lyric Opera of ChicagoMusetta
View cast and crewSat19:30
Chicago, United StatesWed14:00
Chicago, United StatesSat19:30
Chicago, United StatesWith a voice described as “firm” and “lusciously coloured” by Opera News and chosen as one of WQXR’s ’20 for 20′ Artists to Watch, soprano Gabriella Reyes is a rising star on the operatic stage. Currently in her final year of the Metropolitan Opera’s Lindemann Young Artist Development Program, Gabriella will appear with the company this season as Liù Turandot and First Lady The Magic Flute. Other highlights include Cio-Cio San Seven Deaths of Maria Callas with the Bayerische Staatsoper, Munich, and Behzad Ranjbaran’s Songs of Eternity with the Montclair Orchestra and David Chan. Highlights of last season include Nella Gianna Schicchi and the High Priestess Aida for the Metropolitan Opera, the latter of which was described as “hair-raising” by the New York Classical Review. Gabriella also