Próximas actuaciones De hoy en adelante
Actuaciones pasadas 1946 — Ayer
Coro in Foyer, VerdiBizetBrahmsFauréMahlerTchaikovsky, P. I.ProkofievRicotta
Teatro Massimo di Palermomié.19:00
Nueva York, Estados Unidosjue.19:00
Londres, Reino Unidojue.17:00
Lewes, Reino Unidosáb.19:00
Londres, Reino Unidosáb.12:30
Nueva York, Estados UnidosJonathan Tetelman, VerdiBizetPucciniPaolo TostiDe CurtisCardilloSorozábal
Festival de UbedaCarmen, Bizet
Mittelsächsisches Theater2024 May Music Festival: "Classical Horizon" West End Philharmonic Chamber Orchestra Concert, HaydnStravinskySaint-SaënsBizetOffenbachMussorgskyRavelProkofievShostakovichKhachaturian, A.MozartStrauss IIBeethovenPucciniRossini
National Centre for the Performing ArtsFifth international festival GUITARMAGfest, Weiss, S. L.Bach, J. S.Boccherini, L.LegnaniBizetSaint-SaënsPonce, M.PiazzollaGentil MontañaGuerra, M.Falla
Zaryadye HallMeilhac was born in the 1st arrondissement of Paris in 1830. As a young man, he began writing fanciful articles for Parisian newspapers and comédies en vaudevilles, in a vivacious boulevardier spirit which brought him to the forefront. About 1860, Meilhac met Ludovic Halévy, and their collaboration for the stage lasted twenty years. Their most famous collaboration is the libretto for Georges Bizet's Carmen. However, Meilhac's work is most closely tied to the music of Jacques Offenbach, for whom he wrote over a dozen librettos, most of them together with Halévy. The most successful collaborations with Offenbach are La belle Hélène (1864), Barbe-bleue (1866), La Vie parisienne (1866), La Grande-Duchesse de Gérolstein (1867), and La Périchole (1868). Other librettos by Meilhac include Jules