Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 1946 — Ilbieraħ
Jonathan Tetelman, VerdiBizetPucciniPaolo TostiDe CurtisCardilloSorozábal
Festival de UbedaLe nozze di Figaro (The Marriage of Figaro), Mozart
Don Giovanni, Mozart
Simple Symphony, op. 4, Britten
Peter Grimes, Britten
La Bohème, Puccini
Carmen, Bizet
Samson et Dalila, op. 47 (Samson and Delilah), Saint-Saëns
Adriana Lecouvreur, Cilea
Symphony No. 4 in C Minor, D. 417 (Symphony No.4, D.417), Schubert
Modena Belcanto FestivalCoro in Foyer, VerdiBizetBrahmsFauréMahlerTchaikovsky, P. I.ProkofievRicotta
Teatro Massimo di PalermoJonathan Tetelman, VerdiBizetPucciniPaolo TostiDe CurtisCardilloSorozábal
Festival de Ubeda2024 May Music Festival: "Classical Horizon" West End Philharmonic Chamber Orchestra Concert, HaydnStravinskySaint-SaënsBizetOffenbachMussorgskyRavelProkofievShostakovichKhachaturian, A.MozartStrauss IIBeethovenPucciniRossini
National Centre for the Performing ArtsFifth international festival GUITARMAGfest, Weiss, S. L.Bach, J. S.Boccherini, L.LegnaniBizetSaint-SaënsPonce, M.PiazzollaGentil MontañaGuerra, M.Falla
Zaryadye HallCarmen, Bizet
Mittelsächsisches TheaterĦad16:00
Lewes, United KingdomCarmen von Georges Bizet (1875), Bizet
Staatstheater MainzCarmen, Bizet
National Theatre PragueTli19:00
Prague, Czech RepublicErb19:00
London, United KingdomĦam17:00
Lewes, United KingdomCarmen, Bizet
Stanislavsky and Nemirovich-Danchenko Academic Music TheatreI Am What I Am, MozartDvořákBizetLehárKanderHerman
Theater RegensburgĠim19:30
Regensburg, GermanyMeilhac was born in the 1st arrondissement of Paris in 1830. As a young man, he began writing fanciful articles for Parisian newspapers and comédies en vaudevilles, in a vivacious boulevardier spirit which brought him to the forefront. About 1860, Meilhac met Ludovic Halévy, and their collaboration for the stage lasted twenty years. Their most famous collaboration is the libretto for Georges Bizet's Carmen. However, Meilhac's work is most closely tied to the music of Jacques Offenbach, for whom he wrote over a dozen librettos, most of them together with Halévy. The most successful collaborations with Offenbach are La belle Hélène (1864), Barbe-bleue (1866), La Vie parisienne (1866), La Grande-Duchesse de Gérolstein (1867), and La Périchole (1868). Other librettos by Meilhac include Jules