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"Towering Bass. In the title role of Elijah was bass Hyalmar Mitrotti, who possesses a potent and thick timbre. (...) Mitrotti is asked to sing for close to an hour and it seemed that the deeper he got into the piece, the better he got. His diction was always on point, his voice grew in volume, his vibrato stabilized and he shone with an elegant legato line that was at its most glorious in the second part aria “It is enough; Lord take my life,” accompanied by solo cello. In arguably the most intimate moment of the entire oratorio, the bass made his voice weep, giving the listener a feeling of a conflicted prophet who can’t handle the challenges around him and yet doesn’t want to give up. The contrasting section during the second half of the aria featured sturdy sound, a new-found aggression in his singing that we had yet to hear that point. Also, worthy of mention is that the bass seemed at ease with the excruciatingly high tessitura that Mendelssohn demands of his lead singer, the high notes bright and potent. “Elijah” demands a singer that can essentially carry the piece and Mirotti was more than up to the task".

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10 januar 2017WWW.OPERAWIRE.COM

Le jeune Hyalmar Mitrotti révèle une personnalité prometteuse en Grenvil

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10 januar 2017OPÉRA MAGAZINE