Frammistaða áskriftir
Næstu sýningar Í dag áfram
Fyrri sýningar 2018 — Í gær
Die Walküre (The Valkyrie), Wagner, Richard
Opéra Royal de VersaillesSieglinde
Skoða leikara og mannskapIl Trittico, Puccini
Saarländisches StaatstheaterGiorgetta + 1 hlutverk
Skoða dagskrá, leikarahóp og mannskap-
Der fliegende Holländer (The Flying Dutchman), Wagner, Richard
Theater Krefeld und MönchengladbachSenta
Skoða leikara og mannskap-
Sýndar fyrri sýningar
Die Walküre (The Valkyrie), Wagner, Richard
Opéra Royal de VersaillesSieglinde
Skoða leikara og mannskap
Il Trittico, Puccini
Saarländisches StaatstheaterGiorgetta + 1 hlutverk
Skoða dagskrá, leikarahóp og mannskap-
Der fliegende Holländer (The Flying Dutchman), Wagner, Richard
Theater Krefeld und MönchengladbachSenta
Skoða leikara og mannskap-
Næstu sýningar
9Die Walküre (The Valkyrie), Wagner, Richard
Saarländisches StaatstheaterSieglinde
Skoða leikara og mannskapAida, Verdi
Saarländisches StaatstheaterAida
Skoða leikara og mannskaplau19:30
Saarbrücken, Germanymið19:30
Saarbrücken, Germanyfös19:30
Saarbrücken, Germanyfim19:30
Saarbrücken, GermanyDie Walküre (The Valkyrie), Wagner, Richard
Saarländisches StaatstheaterSieglinde
Skoða leikara og mannskaplau17:00
Saarbrücken, GermanyAida, Verdi
Saarländisches StaatstheaterAida
Skoða leikara og mannskapþri19:30
Saarbrücken, Germanyfim19:30
Saarbrücken, Germany
Æviágrip
Ingegjerd Bagøien Moe had her international debut as Cio-Cio-San in Madama Butterfly at the State Theater in Larisa in Greece in 2017 and received great reviews. In November 2018, she won the third prize in Il Nuovo Canto International Song Contest in Milan. In the summer of 2018, she sang the role of Elisabetta in Don Carlo at Opera at Skäret in Sweden, a role she received an award for with this reason: "For exquisite beauty, delicate phrasing and sublime technical skill in his magnificent debut in one of Verdi's most demanding roles!" Ingegjerd received for instance this review for the role of Elisabetta: " "One of the reasons is this night’s Elisabetta - Ingegjerd Bagøien Moe. Her vocal and scenic luminosity made her a central point every time she was on stage. It’s not often that I hav
