Operabase Home
Lighting designer

Předchozí recenze výroby

9
Le nozze di Figaro, Mozart
D: Jo Davies
C: Antony HermusJames Hendry
Opera North’s The Marriage of Figaro – Leeds Grand Theatre

Under the direction of Davies, this cast is led by Rhodes and Wyn who have put on an excellent performance and are faithfully supported by the Chorus of Opera North and the very talented creative team. Hermus directs Mozart’s ingenious music and the performance is co-ordinated and choreographed under Kay Shepherd’s lead.

Přečtěte si více
02 únor 2020www.thereviewshub.comDawn Smallwood
Lessons in Love and Violence, Benjamin
D: Katie Mitchell
C: George Benjamin
Světová premiéra
Madman in Lessons in Love and Violence by Sir George Benjamin

The various supporting roles came in the names of Jennifer France, Krisztina Szabó and Andri Björn Róbertsson, all of excellent level where the latter managed to change himself to a madman

Přečtěte si více
Peter Franken - Basia con fuoco
Madman in Lessons in Love and Violence by Sir George Benjamin

Bass-baritone Andri Björn Róbertsson as Witness 3 and an excellent personification of the Madman

Přečtěte si více
Luciano Marra de al Fuente - Tiempo de Musica
Lessons in Love and Violence, Benjamin
D: Katie Mitchell
C: Kent Nagano
Madman in Lessons in Love and Violence by Sir George Benjamin

Andri Björn Róbertsson, der bereits an der Uraufführung als dritter Zeuge und Madman mitwirkte und sicher schon damals besonders in der zweiten Rolle, in seinen Bann zog, durch seinen wohlklingenden Bassbariton und authentisches Spiel.

Přečtěte si více
Birgit Kleinfeld - Opernmagazin.de
Madman in Lesson in Love and Violence by Sir George Benjamin

Saluons également la composition, impressionnante, d'Andri Björn Róbertson en déséquilibré revendiquant la couronne et que Mortimer fait éliminer, en guise de leçon, devant le Fils d'Edouard

Přečtěte si více
Bernard Schreuders - Forum Opera
Il barbiere di Siviglia, Rossini
D: Annabel Arden
C: Alexander Joel
The soloists and music surpass the acrobats

Malmö Opera almost never hires Swedish singers in leading roles, but instead seeks out the international market. In the new set of Rossini's Barber in Seville , we meet a Figaro from Lithuania, an Almaviva from South Africa, a Rosina from Germany, a Bartolo from Italy and a Basilio from Greece. The Swedish colors are defended by the young Elin Eriksson in the small role as Berta (and she does well).

Přečtěte si více
13 únor 2022www.aftonbladet.seLennart Bromander