PRINCESSE CZARDAS
Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 1996 — Ilbieraħ
La Fille du régiment (The Daughter of the Regiment), Donizetti
Opéra de Monte-CarloLa Duchesse de Crakentorp (The Duchess of Crakentorp)
Ara l-cast u l-ekwipaġġDie Csárdásfürstin (The Gypsy Princess), Kálmán
Cie LychoreStage director + 3 rwoli
Ara l-cast u l-ekwipaġġLes Voix Solidaires are back at the Nice Opera!, Various
Opéra Nice Côte d'AzurBass-baritone
Ara l-cast u l-ekwipaġġLes chevaliers de la Table Ronde (The Knights of the Round Table), Florimond Ronger
Opéra Grand AvignonMerlin + 1 rwoli
Ara l-cast u l-ekwipaġġLa vie parisienne (Parisian Life), Offenbach
Opéra Nice Côte d'AzurLe Baron de Gondremarck (The Baron of Gondremarck)
Ara l-cast u l-ekwipaġġDehru wirjiet tal-passat
La Fille du régiment (The Daughter of the Regiment), Donizetti
Opéra de Monte-CarloLa Duchesse de Crakentorp (The Duchess of Crakentorp)
Ara l-cast u l-ekwipaġġ
Die Csárdásfürstin (The Gypsy Princess), Kálmán
Cie LychoreStage director + 3 rwoli
Ara l-cast u l-ekwipaġġ
Les Voix Solidaires are back at the Nice Opera!, Various
Opéra Nice Côte d'AzurBass-baritone
Ara l-cast u l-ekwipaġġ
Les chevaliers de la Table Ronde (The Knights of the Round Table), Florimond Ronger
Opéra de LausanneMerlin + 1 rwoli
Ara l-cast u l-ekwipaġġPrestazzjonijiet li ġejjin
4Die lustige Witwe (The Merry Widow), Lehár
Festival Lyrique d'Aix-les-BainsStage director + 1 rwoli
Ara l-cast u l-ekwipaġġ
Bijografija
Actor as well as singer – he studied also acting -, Jean-François Vinciguerra resumed his singing studies at the CNSM in Paris in Michel Roux’s class, then at the the Atelier Lyrique of the Paris Opera, led by Michel Sénéchal. With this double background, he quickly stood out on most stages: Bastille Opera, Opéra Comique, Théâtre des Champs-Elysées, Avignon, Saint-Etienne, Metz, Reims, Tours, Marseille, Rennes, Limoges, Nantes, Nice, Rouen, Toulon… He has also been invited abroad: Monte-Carlo, Liège, Seoul, New Delhi, Lisbon… Among his vast repertoire, let us quote Bartolo (Il Barbiere di Siviglia), Dulcamara (L’Elisir d’amore), Jupiter (Platée), Méphistophélès (Faust), the Four Vilains (The Tales of Hoffmann), the Count Capulet (Romeo and Juliet), Don Pedro (Beatrice and Benedict), Geron
