Smerud was excellent as the sad-faced, hapless Sancho. He was the most at ease on stage, and his bass-baritone was ideally suited to capture Sancho’s many moods and to give voice to the vivid description of past exploits that Telemann depicts so brilliantly in the music, especially the ups and downs of a ride on a magic carpet. Truth be told, Smerud would have made just as fine a Don Quixote with minor tweaks of character and costume.