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Die tote Stadt, Korngold
D: Immo Karaman
C: Johannes Pell
Die tote Stadt

Susanne Serfling…als Marie und Marietta…erweist sich als hingebungsvolle Interpretin… lotet mit ihrem Rollendebut die Chacktere beider Frauen szenisch und stimmlich genauestens aus… ihre schöne Stimme klingt sowohl in den dramatischen Ausbrüchen als auch in den weiten lyrischen Bögen in jeder szenischen Situation und allen Lagen stets ausgeglichen und sauber geführt.“

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18 junio 2019opernmagazin.deDetlef Obens
Der Vetter aus Dingsda, Künneke
D: Jan Neumann
C: Johannes Pell
A staging disaster: "Vetter aus Dingsda" at the Dresden State Operetta

"Child, you don't have to think so terribly much..." Eduard Künneke's "Vetter aus Dingsda" at the Dresden State Operetta oscillates between directorial ideal and reality. Conductor Johannes Pell and his orchestra delivered a spotless performance at the premiere of the operetta “Der Vetter aus Dingsda” by Eduard Künneke at the Dresden State Operetta. Sensitively and passionately, the ladies and gentlemen brought Künneke's sound worlds to life under his baton and enabled the audience to enjoy the stylistically diverse, humorous and compositionally imaginative score. Every single number, every stylistic element and all the breaks and contrasts in between were played perfectly on their own and ultimately led to an enchanting overall musical impression. Cary Gayler's dignified, fairytale-like and changeable stage design is also a big magic box [...] The employees from the painting room and workshops deserve great praise for the craftsmanship, Frank Baschek skillfully set everything in the light.

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31 enero 2021www.dnn.deDRESDEN LATEST NEWS
Im weißen Rößl, BenatzkyStolz
D: Toni Burghard Friedrich
C: Johannes Pell
For a few coins there are mountains for yodelling

The revue operetta “Im Weißen Rössl” has a lot to do with Berlin at the Dresden State Operetta. An “Austria-O-Mat” has to help out for the Alpine ... For the new Dresden production, the director Toni Burghard Friedrich and the conductor Johannes Pell opted for the legendary version of Ralph Benatzky's genius trick, with which the Pfister siblings caused a sensation in 1994 in the Berlin bar of all reason. In addition, they have moderately reduced the staff. […] Under the direction of Johannes Pell, the whole thing also works fabulously in the orchestral version, which is down to a seven-strong band. The spark [..] jumps over to the audience. Which is not only due to the indestructible music, but also to the scene, which is well choreographed at the right tempo (Marie-Christin Zeisset). [...] the "AUSTRIA-O-MAT" is fed with a few coins. Then the curtain opens and there are mountains for yodelling, the Wolfgangsee, the sweet alpine cow and the sky blue as well as the skyline of Vienna for the waltz. Event catering that the directing team should have patented.

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Longing apparatus with alpine illusions

Toni Burghard Friedrich's “White Horse Inn” turns into a surprise box at the Dresden State Operetta. [...] director Toni Burghard Friedrich presents a refreshingly humorous reading of the popular stage hit on his debut at the house. [...] No, you really won't miss anything in this "Rössl". [...] Christian Grygas gives a wonderfully rushed waiter Leopold [...] Laila Salome Fischer shown as a strict businesswoman who does not allow herself to be looked into her heart so quickly. [...] Markus Liske, as Wilhelm Giesecke from Berlin, brings life-loving local color into play. The "Rössl" is not Mallorca, but it is still fun - which his daughter Ottilie, who shows Christina Maria Fercher as a lively bee, also takes care of. [...] The surprise of the evening is probably Ella Rombouts as the housemaid Kathi. Both vocally and playfully, she repeatedly attracts attention and seduces the beautiful Sigismund alias Riccardo Romeo into a passionate kiss with a lot of humor. [...] Quick-witted dialogues, delicious comedy situations, clever choreographies (Marie-Christin Zeisset) and the enthusiastic joy of playing of the ensemble, which radiates into the orchestra pit, make the evening a carefree pleasure. [...] The orchestra of the Dresden State Operetta, under the direction of Johannes Pell, impressively proves that less can actually be more.

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