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17Jolana Fogašová med højdramatisk frisure og en stemme, der matchede, klarede både den dybe alt-rolle som skovheksen og sopranpartiet som fyrstinden, der skubber Rusalka til side for derefter at forkaste den svigefulde prins. Høj sanglig klasse.
Fogašová was sensational, with a strong, piercing voice that was slightly hysterical from the start, and impressive acting chops. Even from the 13th row, the mad glint in her eyes was clearly visible.
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16Opera Čert a Káča v SND je iná v mnohých ohľadoch. Odvážna, drzá, farebná, dynamická, pútavá pre detského diváka, no pozor, nie prvoplánová, takže aj dospelý si v nej nájde mnoho odkazov na zamyslenie. Oproti minimalizmu, s ktorým sa v súčasnosti v divadelníctve stretávame, sa nám zrazu v opere Čert a Káča otvára veľký, pestrofarebný svet plný dynamiky.
Jolana Fogas è una Kristina di voce aggraziata.
La brava Krista di Jolana Fogas.
The artist has reached her pinnacle in this role. The part of the dramatic heroine was portrayed both dramatically and vocally as a living, breathing person. The transformation of a village VIP into a person suffering from total mental ruin on the verge of madness happened so realistically as if Jolana Fogasova truly lived through it on stage.
"Una belleza terrena e sensual, dirompe, invece, con l´entrata in scena della Principessa straniera, Jolana Fogas, ottima interprete sia vocalmente che attorialmente."
Партия Иноземной княжны – небольшая, но антагонистка прорисована в опере довольно интересно, и Йолана Фогашова показала в ней исключительный класс плакатно-яркого, спинтово-лирического прочтения: на контрасте с партией Русалки – средоточием «драматического лиризма» и психологически-чувственной аффектации – партия Иноземной княжны на этот раз смогла создать эффектно-мощную музыкальную антитезу надменного, рационально-земного «лирического драматизма».
Jolana Fogasova stood out in a musical production of this complex character. Her powerful voice with colourful tembre which is appropriate for Wagner’s intentions was floating above a rich orchestral background, and also her dramatic characterization of the part which graduated all the way to a tragic finale.
Slovak singer Jolana Fogasova was a ravishing Venus, a sexy seductress in scarlet with a fiery voice to match.
En sorcière, Jolana Fogašová emporte tout sur son passage avec un timbre riche, une voix puissante et un engagement de chaque instant. Elle domine sans conteste une distribution vocale de très haut niveau.
Jolana Fogasova brachte das Kunststück fertig, nicht nur die Mezzopartie der Hexe, sondern auch die Sopranrolle der Fürstin mit dramatischem Geist zu füllen. Excellent besetzt waren auch die kleinen rollen and der Chor...
Jolana Fogašová med højdramatisk frisure og en stemme, der matchede, klarede både den dybe alt-rolle som skovheksen og sopranpartiet som fyrstinden, der skubber Rusalka til side for derefter at forkaste den svigefulde prins. Høj sanglig klasse.
Fogašová was sensational, with a strong, piercing voice that was slightly hysterical from the start, and impressive acting chops. Even from the 13th row, the mad glint in her eyes was clearly visible.
Jolana Fogasova ha fornito al personaggio di Salome una voce fortemente temprata, dagli acuti agili, netti e puliti, con in più una zona media di grande pregio e prestanza. La cantante ha utilizzato anche i passaggi di registro con grande destrezza e sicurezza, riuscendo a dominare l'intera e impervia tessitura della sua parte.
Applausi a fine serata per tutto il cast e, in particolare, per gli interpreti principali, tutti costretti - per una scelta del regista - a cantare scalzi. "Un bravo speciale all’agile soprano Jolana Fogasova (Salome) capace di trasformarsi da graziosa e capricciosa in matura donna dalla ferina femminilità."
