Joo-Anne Bitter, "Einsam in trüben Tagen", (Elsa, Lohengrin 1. Akt)
Emanaldia kredituak
Iraganeko emanaldiak 2013 — Atzo
Die Walküre (The Valkyrie), Wagner, Richard
Oldenburgisches StaatstheaterGerhilde
Ikusi antzezle eta ekipoaLe nozze di Figaro (The Marriage of Figaro), Mozart
Theater LübeckLa Contessa di Almaviva (The Countess of Almaviva)
Ikusi antzezle eta ekipoaDie Walküre (The Valkyrie), Wagner, Richard
Oldenburgisches StaatstheaterHelmwige
Ikusi antzezle eta ekipoaDie Walküre (The Valkyrie), Wagner, Richard
Oldenburgisches StaatstheaterHelmwige
Ikusi antzezle eta ekipoaDer Vogelhändler (The Bird Seller), Zeller
Stadttheater KlagenfurtKurfürstin Marie (Electress Marie)
Ikusi antzezle eta ekipoa-
Iraganeko emanaldi aipagarriak
Die Walküre (The Valkyrie), Wagner, Richard
Oldenburgisches StaatstheaterGerhilde
Ikusi antzezle eta ekipoa
Le nozze di Figaro (The Marriage of Figaro), Mozart
Theater LübeckLa Contessa di Almaviva (The Countess of Almaviva)
Ikusi antzezle eta ekipoa
Die Walküre (The Valkyrie), Wagner, Richard
Oldenburgisches StaatstheaterHelmwige
Ikusi antzezle eta ekipoa
Die Walküre (The Valkyrie), Wagner, Richard
Oldenburgisches StaatstheaterHelmwige
Ikusi antzezle eta ekipoa
Datozen Emanaldiak
2Le nozze di Figaro (The Marriage of Figaro), Mozart
Theater LübeckLa Contessa di Almaviva (The Countess of Almaviva)
Ikusi antzezle eta ekipoa
Biografia
The German soprano Joo-Anne Bitter is today considered to be the ideal cast in the lyric dramatic Wagnerian subject. Her role debuts as Elsa in Lohengrin and Eva in Die Meistersinger von Nürnberg at the Tyrolean Festival Erl in Austria and tours to China were rounded up with her very successful role debut as Elisabeth in Tannhäuser (Conductor Nicholas Carter) at the Stadttheater Klagenfurt this season. Joo-Anne Bitter has consistently developed these successes after completing her master's degree and her work as a PR consultant and communication coach. Encouraged by her Donna Anna debut in Mozart's Don Giovanni at the Hamburg Chamber Opera she fully devoted herself to her artistic talents. This followed game-changing and handpicked roles in the german repertoire like Pamina in Mozart's Zau
