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El Diablo en el poder, Barbieri
C: José María Moreno
The devil in power. Barbieri. Madrid

The character of Elisa de Montellano was played by Ruth Iniesta, who with a deep timbre was able to captivate the audience, receiving great ovations at the end of her performance despite not having a great romance. The same could be said of the rest of the singers Fernando Latorre and Marifé Nogales, whose performances in duos and concert performers contributed great quality to a performance characterized by the rhythm, inspiration and vivacity of the best Barbieri. The leading sextet was a luxury in the canoro and very dedicated in the acting, although the females stood out more than the men. We congratulate the managers of the Teatro de la Zarzuela for this initiative and we hope that this and other zarzuelas by the great Barbieri take the stage doing entire cycles of this composer. Without intending to make mistakes ... the Teatro de la Zarzuela has to its credit productions of "Barberillo de Lavapies", Pan y Toros ", Gloria y peluca", Play with fire "," The diamonds of the crown "... which could perfectly make up a Barbieri cycle ... along with the one we have discussed in this writing and others that could be added.

Les mer
29 juni 2014www.operaworld.esRoberto Benito
La clemenza di Tito, Mozart
D: Fabio Ceresa
C: Corrado Rovaris
Estreno brillante para una ópera compleja

Anna Alàs i Jove, como Annio, el enamorado de Servilia, fue otra de las más aplaudidas y, además, se mueve en escena con mucha agilidad

Les mer
01 november 2018www.elcomercio.esRamón Avello
El triunfo de Sesto en La Clemenza di Tito

Annio interpretado por una adecuada Anna Alàs i Jové, muy grácil en escena y con una oscura y bella voz.

Les mer
01 november 2018scherzo.esRedacción