Kelly God / Reviews

Her (Kelly Gods) Isolde has seemingly unlimited reserves and yet she has retained something appropriately girlish. The love death, which is by no means as “mild and quiet” as it begins, is an impressive demonstration of her vocal and musical powers. [...]

The two events of the evening are the orchestra (and its conductor Will Humburg) and Kelly God’s Isolde. She has the breath and the vocal power for the increases - has enough reserves for a ravishing "love death". She is more of a fury than a gentle-loving woman, the voice has steel and sovereignty. You shouldn't mess with her. [...]