Kommende forestillinger I dag og frem
Tidligere forestillinger 2006 – i går
Lohengrin, Wagner, Richard
Opéra National de ParisStage director + 2 roller
Se rollebesætning og besætningLohengrin, Wagner, Richard
Opéra National de ParisStage director + 2 roller
Se rollebesætning og besætningThe Nose, op. 15, Shostakovich
Bavarian State OperaStage director + 2 roller
Se rollebesætning og besætningtirs.20:00
Munich, GermanyLe nozze di Figaro (The Marriage of Figaro), Mozart
Komische Oper BerlinStage director + 2 roller
Se rollebesætning og besætningons.19:00
Berlin, GermanyThe Nose, op. 15, Shostakovich
Bavarian State OperaStage director + 2 roller
Se rollebesætning og besætningfre.20:00
Munich, GermanyLe nozze di Figaro (The Marriage of Figaro), Mozart
Komische Oper BerlinStage director + 2 roller
Se rollebesætning og besætningsøn.18:00
Berlin, GermanyThe Nose, op. 15, Shostakovich
Bavarian State OperaStage director + 2 roller
Se rollebesætning og besætningtirs.19:00
Munich, GermanyLe nozze di Figaro (The Marriage of Figaro), Mozart
Komische Oper BerlinStage director + 2 roller
Se rollebesætning og besætningsøn.18:00
Berlin, GermanyLe nozze di Figaro (The Marriage of Figaro), Mozart
Komische Oper BerlinStage director + 2 roller
Se rollebesætning og besætningDon Carlo (Italian version), Verdi
Wiener StaatsoperStage director + 2 roller
Se rollebesætning og besætningtors.19:00
Vienna, AustriaBorn in Rostov-on-Don, Kirill Serebrennikov completed his formal education in Physics in his hometown in 1992. During his studies he began a self-taught education as a director of theater, opera, film and television as well as a costume designer. The first acclaimed productions Serebrennikov was able to direct outside of Russia were Salome at the Stuttgart Opera and ll barbiere di Siviglia at the Komische Oper Berlin. In collaboration with Teodor Currentzis, Serebrennikov developed the project Mysterion (after Carl Orff’s De Temporum Fine Comedia) and the benefit project Requiem, for which he also served as author. Furthermore he directed opera productions such as Falstaff at the Mariinsky Theater in St. Petersburg, Le coq d’or at the Bolshoi in Moscow and American Lulu at the Wiener F