Предстоящи изпълнения Днес нататък
Минали изпълнения 2006 — Вчера
Elektra (Electra), Strauss
The Dallas OperaDer Pfleger des Orest (Orest's tutor)
Преглед на артистите и постановъчната трупаDudamel Leads Das Rheingold - Celebrating Frank Gehry, Wagner, Richard
LA PhilDonner
Преглед на артистите и постановъчната трупаDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
Pittsburgh OperaDer Holländer (The Dutchman)
Преглед на артистите и постановъчната трупаSiegfried, Wagner, Richard
Virginia OperaDer Wanderer (The Wanderer)
Преглед на артистите и постановъчната трупаDie Vögel (The Birds), Braunfels
Pacific Opera VictoriaPrometheus
Преглед на артистите и постановъчната трупаDie Walküre (The Valkyrie), Wagner, Richard
Virginia OperaWotan
Преглед на артистите и постановъчната трупаElektra (Electra), Strauss
The Dallas OperaDer Pfleger des Orest (Orest's tutor)
Преглед на артистите и постановъчната трупаDudamel Leads Das Rheingold - Celebrating Frank Gehry, Wagner, Richard
LA PhilDonner
Преглед на артистите и постановъчната трупаDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
Pittsburgh OperaDer Holländer (The Dutchman)
Преглед на артистите и постановъчната трупаSiegfried, Wagner, Richard
Virginia OperaDer Wanderer (The Wanderer)
Преглед на артистите и постановъчната трупаDie Vögel (The Birds), Braunfels
Pacific Opera VictoriaPrometheus
Преглед на артистите и постановъчната трупаTosca, Puccini
Pittsburgh OperaIl Barone Scarpia (Baron Scarpia)
Преглед на артистите и постановъчната трупаRenowned not only for his luxurious voice, confidence, and style, but also for his versatility and ability to bring a character to life on stage, bass-baritone Kyle Albertson is taking the business by storm. In his recent début as Wotan in Wagner’s epic masterpiece Die Walküre, in Maestro Jaap van Zweden final performance with the Dallas Symphony, Theater Jones exclaimed, “the most impressive aspect of this performance came undoubtedly from Wotan…his voice masterfully brought the character to life…Albertson’s interactions throughout the performance with his most beloved daughter, Brünnhilde were ingenuously convincing. Coupled with Albertson’s commanding, though endearing, baritone, these moments did not seem like an opera concert at all, rather a fully realized engagement of dramatic and