Performances passées 2017 – Hier
Le nozze di Figaro (Les Noces de Figaro), Mozart
Conservatorio Luigi Cherubini di FirenzeIl Conte di Almaviva (Le Comte Almaviva)
Voir la distribution et l'équipeLe nozze di Figaro (Les Noces de Figaro), Mozart
Il Conte di Almaviva (Le Comte Almaviva)
Voir la distribution et l'équipeIl ritorno d'Ulisse in patria (Le retour d'Ulysse dans sa patrie), Monteverdi
Florence Dance FestivalNettuno (Neptune)
Voir la distribution et l'équipeDidone ed Enea, Purcell
Go Abruzzo (Guardiagrele opera festival)Aeneas (Énée)
Voir la distribution et l'équipeLe convenienze ed inconvenienze teatrali (Les conventions théâtrales), Donizetti
Fondazione del Teatro del Maggio Musicale FiorentinoDirettore del teatro (Le Directeur du Théâtre)
Voir la distribution et l'équipeLe nozze di Figaro (Les Noces de Figaro), Mozart
Conservatorio Luigi Cherubini di FirenzeIl Conte di Almaviva (Le Comte Almaviva)
Voir la distribution et l'équipeLe nozze di Figaro (Les Noces de Figaro), Mozart
Il Conte di Almaviva (Le Comte Almaviva)
Voir la distribution et l'équipeIl ritorno d'Ulisse in patria (Le retour d'Ulysse dans sa patrie), Monteverdi
Florence Dance FestivalNettuno (Neptune)
Voir la distribution et l'équipeDidone ed Enea, Purcell
Go Abruzzo (Guardiagrele opera festival)Aeneas (Énée)
Voir la distribution et l'équipeAn emerging artist, Kyle has sung on stages in the United States and Europe. He was born and raised in Northern California. After completing his Bachelor of Music in Vocal Performance with a minor in Italian at CSU Sacramento, he moved to Firenze (Florence), Italy where he recently received his master’s degree in Voice from the Conservatorio “Luigi Cherubini” di Firenze under the tutelage of Gianni Fabbrini. Kyle’s debut on the international stage was in 2017 in the role of the Direttore di Palcoscenico (Le Convenienze ed inconvenienze teatrali) at the Maggio Musicale Fiorentino. Another performance of note was in 2018 when he had the honor to sing as the bass soloist in J. S. Bach’s Cantata “Aus der Tiefen” BWV 131, and the world premiere of Psalmus David by Baratti at the inaugural conce