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HMS Pinafore, Sullivan
D: Brenna Corner
C: Rosemary Thomson
H.M.S. Pinafore by Sir Arthur Sullivan, libretto W.S. Gilbert

Vancouver Opera closed the season with HMS Pinafore, or the Lass that Loved a Sailor. One of Gilbert and Sullivan’s most popular operas, Pinafore mocks Victorian memes - forbidden love and secret pining, class distinction and proper behaviour – and piles on Gilbertian ridicule of political incompetence and Sullivan’s musical parodies.

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www.reviewvancouver.orgElizabeth Paterson
Review: Vancouver Opera's HMS Pinafore floats a feminist update on Gilbert & Sullivan classic

A feel-good operetta has fun while trying to show the world has changed since women wore pinafores

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02 maggio 2022www.createastir.caJanet Smith
La Cenerentola, Rossini
D: Rachel Peake
C: Leslie Dala
Review: Faust and La Cenerentola at Third Vancouver Opera Festival

“Indeed, Rachel Peake has done her job so well that it can be difficult, while you are laughing so hard, to remember that these are killer vocal parts being sung exquisitely. Mezzo Simone McIntosh wins over the audience with sheer vocal agility and a lovely rich sound.”

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01 maggio 2019vancouversun.comDavid Gordon Duke
Review: Vancouver Opera’s La Cenerentola is “three hours of irresistible, effervescent fun”

“The opera is centred on the role of Cenerentola (Cinderella) and Simone McIntosh radiated the pure inner beauty of her character without a trace of self-righteousness or superiority. Even if rapidly rattling off the text’s relentlessly repeated fricative sibilants—a device Rossini uses almost to excess—was not her forte, that particular type of vocal virtuosity is not germane to her character. Her opulent, floating mezzo-soprano was perfectly suited to the role’s more quietly loving and sincere passages in the midst of the fractious, comedic ado transpiring all about her.”

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06 maggio 2019operacanada.caRobert Jordan