Næstu sýningar Í dag áfram
Fyrri sýningar 2008 — Í gær
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Don Carlos (French version), Verdi
Grand Théâtre de GenèveStage director
Skoða leikara og mannskapLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Skoða leikara og mannskapDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Osterfestspiele Baden-BadenStage director
Skoða leikara og mannskapDon Carlos (French version), Verdi
Grand Théâtre de GenèveStage director
Skoða leikara og mannskapLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Skoða leikara og mannskapSalome, Strauss
Opéra National de ParisStage director
Skoða leikara og mannskapfim20:00
Paris, FranceLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Skoða leikara og mannskapfös19:30
Hanover, GermanySalome, Strauss
Opéra National de ParisStage director
Skoða leikara og mannskapsun20:00
Paris, Francemið20:00
Paris, Francelau20:00
Paris, FranceLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Skoða leikara og mannskapsun18:30
Hanover, GermanySalome, Strauss
Opéra National de ParisStage director
Skoða leikara og mannskapmið20:00
Paris, FranceLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Skoða leikara og mannskapfös19:30
Hanover, GermanySalome, Strauss
Opéra National de ParisStage director
Skoða leikara og mannskapBorn in Hartford, Connecticut, Lydia Steier first moved to Germany as a Fulbright Scholar following her vocal studies at Oberlin Conservatory of Music in Ohio. Steier’s work on The Lesson in Berlin’s HAU and on the multimedia production of Eight Songs for a Mad King, which was presented in Chicago, Cleveland, New York and Mexico, were the first two productions to bring her significant attention. Following that, Steier directed productions of La clemenza di Tito, and Brundibar for Opera Theater of Pittsburgh, Lohengrin at Los Angeles Opera, Madame Butterfly in Bremen, and The Merry Widow at the Deutsches Nationaltheater Weimar. Her stagings were further invited to festivals in Hong Kong, Dublin and New York. Based on her productions of Busoni’s Turnadot and Leonvallo’s Pagliacci, she was