Izrādes kredīti
Gaidāmās izrādes Šodien Uz priekšu
Iepriekšējās izrādes 2002 — vakar
Kammerakademie Potsdam & Antonello Manacorda, Beethoven
Kammerakademie PotsdamSoprano
Skatīt dalībniekus un komanduBengtsson: Klanken Van Vrijheid, MozartBeethovenStraussDvořákVon SuppéStrauss, JosefLehárStrauss II, J. S.Strauss II
Antwerp Symphony OrchestraDaphne + 3 lomas
Skatīt programmu, dalībniekus un komanduDer Rosenkavalier (The Knight of the Rose), Strauss
Grand Théâtre de GenèveDie Feldmarschallin Fürstin Werdenberg (The Marschallin)
Skatīt dalībniekus un komanduPiedāvātās iepriekšējās izrādes
Kammerakademie Potsdam & Antonello Manacorda, Beethoven
Kammerakademie PotsdamSoprano
Skatīt dalībniekus un komandu
Bengtsson: Klanken Van Vrijheid, MozartBeethovenStraussDvořákVon SuppéStrauss, JosefLehárStrauss II, J. S.Strauss II
Antwerp Symphony OrchestraDaphne + 3 lomas
Skatīt programmu, dalībniekus un komandu
Der Rosenkavalier (The Knight of the Rose), Strauss
Grand Théâtre de GenèveDie Feldmarschallin Fürstin Werdenberg (The Marschallin)
Skatīt dalībniekus un komandu
Gaidāmās izrādes
19Intermezzo, Strauss
Deutsche Oper BerlinChristine (His Wife)
Skatīt dalībniekus un komanduSv17:00
Berlin, GermanyLe nozze di Figaro (The Marriage of Figaro), Mozart
Bavarian State OperaLa Contessa di Almaviva (The Countess of Almaviva)
Skatīt dalībniekus un komanduAntonello Manacorda - Ives, Barber, Schumann, Ives, C.BarberSchumann
Berlin Radio Symphony OrchestraSoprano
Skatīt programmu, dalībniekus un komanduIntermezzo, Strauss
Semperoper DresdenChristine (His Wife)
Skatīt dalībniekus un komandu
Biogrāfija
In the season 2020/21 Maria Bengtsson will return to the Staatsoper Berlin as Governess in Turn of the Screw and will sing the Countess in Capriccio at Oper Leipzig. She will make further role debuts as Ellen Orford in a new production of Peter Grimes at the Teatro Real Madrid and as Blanche in a new production of Dialogue des Carmelites at Oper Frankfurt. Recent season highlights include the title role in Rusalka and Clara in the world premiere of Christian Jost’s Egmont at the Theater an der Wien, Fiordiligi (Così fan tutte) and Verdi’s Messa da Requiem at Staatsoper Hamburg, Fiordiligi at Teatro San Carlo in Naples under the baton of Riccardo Muti, her participation in Calixto Bieito’s scenic version of Verdi’s Messa da Requiem at Staatsoper Hamburg and a scenic interpretation of Mend
