María José Montiel: "Voce di donna o d'angelo" (Ponchielli's "La Gioconda")
Forestilling krediteringer
Tidligere forestillinger 1991 – i går
La vestale (The Vestal Virgin), Spontini
Thessaloniki Concert HallLa Grande Vestale (The Great Vestal)
Se rollebesætning og besætningKunst trifft Kunst: The Spanish Soul!, Various
Staatstheater am GärtnerplatzMezzo-soprano
Se rollebesætning og besætning-
María Moliner, Fons
Teatro Lírico Nacional de la ZarzuelaMaría Moliner
Se rollebesætning og besætningSymphony No. 2 in C Minor, ("Resurrection Symphony"), Mahler
Mezzo-soprano (Mezzo-Soprano)
Se rollebesætning og besætningConcerto de Páscoa (Easter Concert), Mahler
Teatro Nacional de São CarlosMezzo-soprano (Mezzo-Soprano)
Se rollebesætning og besætningMaría Moliner, Fons
Festival de Teatro Lírico Español Teatro CampoamorMaría Moliner
Se rollebesætning og besætningFremhævede tidligere præstationer
La vestale (The Vestal Virgin), Spontini
Thessaloniki Concert HallLa Grande Vestale (The Great Vestal)
Se rollebesætning og besætning
María Moliner, Fons
Teatro Lírico Nacional de la ZarzuelaMaría Moliner
Se rollebesætning og besætning
Symphony No. 2 in C Minor, ("Resurrection Symphony"), Mahler
Mezzo-soprano (Mezzo-Soprano)
Se rollebesætning og besætning
Concerto de Páscoa (Easter Concert), Mahler
Teatro Nacional de São CarlosMezzo-soprano (Mezzo-Soprano)
Se rollebesætning og besætning
María Moliner, Fons
Festival de Teatro Lírico Español Teatro CampoamorMaría Moliner
Se rollebesætning og besætning
Biografi
Finalist in the Grammy prizes for her recently re-released CD Modinha, magazines such as Opera News (USA), Ópera Actual (Spain), Opéra Magazine (France) and L’Opera (Italy) regard María José Montiel as one of the great mezzo-sopranos of the day. In 2014 and 2015 she has performed Carmen in Israel conducted by Zubin Mehta, a character which she has sung in the most important opera houses in Switzerland, Italy, Germany, France, Spain, Japan, China and the United States. It was Bizet’s gipsy that transformed her into an international sensation and her habitual collaborations with Riccardo Chailly on music such as Verdi´s Requiem (Vienna, Frankfurt, Milan, Budapest, Tokyo and Leipzig) have consolidated her reputation. In July 2015 she has debuted the rol of Ulrica in Verdi's Un ballo in masch
