Marta Wryk Mezzosoprano Mozart Non temer amato bene
Emanaldia kredituak
Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 2012 — Atzo
Il barbiere di Siviglia (The Barber of Seville), Rossini
Theater BielefeldRosina
Ikusi antzezle eta ekipoa-
Mothers. Lovers. Revolutionists., Various
Theater der Stadt SchweinfurtMezzosoprano
Ikusi antzezle eta ekipoaParsifal, Wagner, Richard
Staatsoper HannoverKlingsors Zaubermädchen 3 (Third flower maiden)
Ikusi antzezle eta ekipoaParsifal, Wagner, Richard
Theater BielefeldKlingsors Zaubermädchen 3 (Third flower maiden) + 1 rol
Ikusi antzezle eta ekipoaMarta Wryk, Tomasz Prasqual i Anna Kowalczyk, Various
Mezzo-soprano
Ikusi antzezle eta ekipoaIraganeko emanaldi aipagarriak
Mothers. Lovers. Revolutionists., Various
Theater der Stadt SchweinfurtMezzosoprano
Ikusi antzezle eta ekipoa
Parsifal, Wagner, Richard
Staatsoper HannoverKlingsors Zaubermädchen 3 (Third flower maiden)
Ikusi antzezle eta ekipoa
Marta Wryk, Tomasz Prasqual i Anna Kowalczyk, Various
Mezzo-soprano
Ikusi antzezle eta ekipoa
Datozen Emanaldiak
19Doktor Bartolos Geheimnis oder In Sevilla sind die Mäuse los, Rossini
Theater BielefeldRosina
Ikusi antzezle eta ekipoaKát'a Kabanová (Katya Kabanova), Janáček
Theater BielefeldVarvara
Ikusi antzezle eta ekipoaThe Convert, Henderickx
Theater BielefeldLutgardis + 3 rol
Ikusi antzezle eta ekipoaog.19:30
Bielefeld, Germany9. Symphoniekonzert, Mahler
Theater BielefeldContralto
Ikusi antzezle eta ekipoaThe Convert, Henderickx
Theater BielefeldLutgardis + 3 rol
Ikusi antzezle eta ekipoaol.19:30
Bielefeld, Germanylr.19:30
Bielefeld, Germanyar.19:30
Bielefeld, Germany
Biografia
After her successful American debut as Aglaonice in Philip Glass' Orphée at the Virginia Opera, young Polish mezzo-soprano Marta Wryk came to the attention of European audiences and the press when she stepped in the role of Smeton in Anna Bolena at Oper Köln. Critics praised her for having “the most promising voice with spectacular high notes” (ResMusica) and for her “remarkable Italianitá” (Der nueu Merker). While still a member of the Oper Köln Opera Studio, she was featured in several leading roles, including Cherubino in Le Nozze di Figaro, Hänsel in Hänsel und Gretel, Oberto in Alcina and Gianetta in L’elisir d’Amore . She then joined the ensemble of Oper Köln and performed, among others, the role of Mercédès in Carmen, Second Lady in The Magic Flute and Laura in Tschaikovsky’s Jolant
