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Rigoletto, Verdi
C: Levente TörökHendrik HaasMichael Weiger
Im Gefängnis der Gefühle

Maryna Zubko gibt die Gilda bravourös: von kindhafter Zartheit über geschmeidige Koloraturen-Virtuosität bis zur dann auch ziemlich geschmetterten Attacke der Spitzentöne.

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09 mei 2022www.pressreader.comJürgen Kanold
"Rigoletto" am Theater Ulm begeistert mit Emotion pur

Maryna Zubko brilliert in der Rolle der Gilda stimmlich wie schauspielerisch, singt traumwandlerisch sicher - ob im Rollstuhl oder auf dem Boden liegend. Ihr authentischer Wandel von der mädchenhaften Unschuld im weißen Kleidchen, die wie an ihren Körper gefesselt wirkt, vom Staccato-Gesang, der an Kinderschritte erinnert, hin zur vergewaltigten und dennoch unmöglich liebenden Frau, ausgedrückt im Legato-Gesang - das berührt und bringt das Publikum mehrfach spontan zu "Bravo!"-Rufen.

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09 mei 2022www.pressreader.comDagmar Hub
The Addams Family, Lippa
D: Benjamin Künzel
C: Joo Kraus
What is normal?

What is normal? Cartoonist Charles Addams invented “ Addams Family ” in 1938, which survived as a cartoon for 50 years. In the 1960s, this weird gothic story was then marketed as a television series, from 1991 as a successful live-action film, and now also as an animated film. The story about Gomez, his wife Mortica and their two children, who live with their ancestors in the middle of New York's Central Park in a large estate, was adapted by Andrew Lippa into the book by Marshall Brickman and Rick Elice in 2010 as a Broadway musical comedy produced. Since 2014, this version has also been performing on German stages. And now at the Theater Ulm . (And soon the material will also be made into a Netflix film.) Actually, this musical version tells of a completely normal situation: Wednesday, the daughter of Gomez and Mortica, is in love with Lucas, a young man from a perfectly normal middle-class family. Both want to get married. Now both parents should get to know each other. One reacts correspondingly hectic and nervous (who does not know such a situation as a parent of children who want to marry?). You want to appear advantageous, stage yourself, don't want to let go of the children. It's no different in the Addams Family. The fact that this family appears again and again with their ancestors doesn't change much: They are there, but the actual competence to act lies with Wednesday, who unfortunately remains strangely reserved with Alexandra Ostapenko in the Ulm performance.

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21 november 2021www.die-deutsche-buehne.deManfred Jahnke, Die Deustche Bühne