Minulá představení 2012 – včera
Strauss & Mahler: Ønskekoncerten, StraussMahler
Aarhus SymfoniorkesterSoprano (Sopran)
Zobrazit program, obsazení a štábTsarskaya Nevesta (The Tsar's Bride), Rimsky-Korsakov
Teatro Regio di TorinoMarfa
Zobrazit obsazení a štábNadine Koutcher sings Rachmaninov's romances, Various
Private Philharmonic TriumphSoprano
Zobrazit obsazení a štábRomeo and Juliet Fantasy Overture, Tchaikovsky, P. I.
Concerto for coloratura, op. 82, Glière
Symphony No. 6 in F Major, op.68 ("Pastoral"), Beethoven
St Petersburg PhilharmonicSoprano
Zobrazit program, obsazení a štábBSO them. Tchaikovsky "Masters of choral singing", GriegPoulenc
Zaryadye HallSoprano (soprano)
Zobrazit program, obsazení a štábStrauss & Mahler: Ønskekoncerten, StraussMahler
Aarhus SymfoniorkesterSoprano (Sopran)
Zobrazit program, obsazení a štábTsarskaya Nevesta (The Tsar's Bride), Rimsky-Korsakov
Teatro Regio di TorinoMarfa
Zobrazit obsazení a štábNadine Koutcher sings Rachmaninov's romances, Various
Private Philharmonic TriumphSoprano
Zobrazit obsazení a štábRomeo and Juliet Fantasy Overture, Tchaikovsky, P. I.
Concerto for coloratura, op. 82, Glière
Symphony No. 6 in F Major, op.68 ("Pastoral"), Beethoven
St Petersburg PhilharmonicSoprano
Zobrazit program, obsazení a štábKoutcher was born in Minsk in 1983. In 2003 she graduated from Minsk State Musical College, the Department of Musical Theory. In 2006 she won the 1st prize in the vocal contest of the Religious Music Festival «Mahutny Bozha». In 2007 she won 1st prize in two International competitions: Bibigul Tulegenova's Contest in Khazahstan and Irina Bogacheva's Contest in St. Petersburg. Also in 2007 she had opera debut in the Opera and Ballet Theatre of St. Petersburg Conservatory, she sang Marfa in the opera The Tsar’s Bride by Rimsky-Korsakov. In 2009 she started performing in The Mikhailovsky Theatre in St. Petersburg, her debut role was Violetta in Verdi's La Traviata.[3] In the same theatre she performed other roles for lyrical and coloratura soprano, such as Princess Eudoxie in Galevi's “La Jui