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Dallas Opera’s “Golden Cockerel” offers visual and vocal delights

Nikolay Didenko’s bass provided a perfectly rounded King Dodon. Delivering the role in a padded fat suit and red onesie, he was affectionately bumbling, yet sang with a clean and robust tone that belied his child-like nature.

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31 Οκτώβριος 2019texasclassicalreview.comRichard Sylvester Olive