Crediti di rappresentazione
Spettacoli passati 1997 : ieri
Dido and Aeneas, Purcell
Hochschule für Musik und Darstellende Kunst FrankfurtRegia
Visualizza cast e team creativoLe dernier sorcier (L'ultimo stregone), Viardot
Oper im KnopflochRegia
Visualizza cast e team creativoOper trifft Konzert, Puccini
Philharmonisches Kammerorchester WernigerodeRegia
Visualizza cast e team creativoLe dernier sorcier (L'ultimo stregone), Viardot
Oper im KnopflochRegia
Visualizza cast e team creativoA Midsummer Night's Dream (Sogno di una notte di mezza estate), Britten
Nordharzer Städtebundtheater Halberstadt-QuedlinburgRegia
Visualizza cast e team creativoSpettacoli passati in primo piano
Dido and Aeneas, Purcell
Hochschule für Musik und Darstellende Kunst FrankfurtRegia
Visualizza cast e team creativo
Le dernier sorcier (L'ultimo stregone), Viardot
Oper im KnopflochRegia
Visualizza cast e team creativo
Oper trifft Konzert, Puccini
Philharmonisches Kammerorchester WernigerodeRegia
Visualizza cast e team creativoLe dernier sorcier (L'ultimo stregone), Viardot
Oper im KnopflochRegia
Visualizza cast e team creativo
A Midsummer Night's Dream (Sogno di una notte di mezza estate), Britten
Nordharzer Städtebundtheater Halberstadt-QuedlinburgRegia
Visualizza cast e team creativoVideo in evidenza delle rappresentazioni
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Biografia
Oliver Klöter studied opera-directing and filmdirecting at the Academy of Music and Performing Arts in Vienna. At that time he started assisting working and assisting directors such as Robert Carsen, David Alden, Christopher Alden, Nicholas Hytner, Michael Hampe, Christof Nel, Günter Krämer and Broadway Director Scott Ellis at opera-houses like Vienna StateOpera, Munich State Opera, Salzburg Easter Festival, Theater an der Wien, Theater St. Gallen, Cologne Opera, Teatro La Venice, Gran Teatro del Liceu etc. His first won productions was Schönberg`s “Pierrot lunaire” in 1995 in Vienna at Neue Studiobühne Wien. Since then, his Operas-productions include “The Io-Passion” and “Gräfin Mariza” at Theater Magdeburg, “Interfaces (I)” at Cologne Opera, “La Bohème” at Theater Bremerhaven and Opera
