Baritone

Peter Weber

Singer

Artist

Approved

2011

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

1997

1996

1995

1993

1992

1989

1988

1987

1985

1984

1981

1980

1979

1978

1977

1976

Individual contributor id

include virtual contributors

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Bass-baritone

Countertenor

Mezzo-soprano

Bass

Soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Supported by the René and Susanne Braginsky Foundation and the Friends of the Zurich Opera Conductor - Christoph von Dohnányi Production - Achim Freyer Stage design - Achim Freyer Costumes - Achim Freyer Lighting design - Martin Gebhardt Choir mastering - Joszef Chabron, Thomas Lang Orchestra - Orchestra of the Zurich Opera Choir - Slovak Philharmonic Choir Bratislava Ballet - extras association at the Zurich Opera House With Peter Weber (Moses), Daniel Brenna (Aron); Esther Lee (young girl), Cornelia Kallisch (sick woman); Peter Sonn (young man), Peter Sonn (naked youth), Cheyne Davidson (another man), Davide Fersini (Epraimite), Valeriy Murga (priest); Camille Butcher (1st naked virgin), Esther Lee (2nd naked virgin), Anja Schlosser (3rd naked virgin), Katharina Peetz (4th naked virgin), Camille Butcher (1st solo part), Irène Friedli (2nd solo part ), Wiebke Lehmkuhl (3rd solo part); Michael Laurenz (4th solo part), Davide Fersini (5th solo part), Reinhard Mayr (6th solo part), Michael Laurenz (a youth), Utz Bodamer (Moses player), Hans-Peter Ulli (Aron player 1), Markus Hofmann (Aron player 2) Schönberg himself had doubts that his opera "Moses und Aron" could be performed; But 25 years after the completion of the second act (the third act remained unfinished) the time had come: in 1957 the staged premiere took place as part of the June Festival at the Zurich Opera House and paved the way for Schönberg's visionary confessional work that challenged all of an opera house the stages of the world. Today the opera is considered to be one of the most important musical theater works of the 20th century. The focus of the story is the question of how the thought can be made comprehensible in words without resorting to images. In the biblical context it is about the monotheistic idea of ​​God. Moses is instructed by God's voice, speaking to him from the burning bush, to free the people of the Israelites from Egyptian bondage and to lead them to believe in the "only, eternal, invisible and unimaginable" God. However, since he lacks the gift of the word, he has to rely on his brother Aron, of whose enlightenment the voice from the thorn bush speaks. The latter takes refuge in miraculous apparitions and finally, while Moses receives the tablets of the Law on Mount Sinai, allows the service to the old idols again. An orgy of drunkenness, unleashed eroticism and anger of annihilation erupts in the dance around the golden calf. When Moses returns, he holds his brother accountable; he desperately smashes the tablets of the law. With Achim Freyer, who is responsible for direction, stage design and costumes, it has been possible for the first time to engage one of the most important contemporary theater makers at the Zurich Opera House, who has often dealt with contemporary music theater (including Philipp Glass, John Cage, Helmut Lachenmann) . His theater work is characterized by strictness of thought, poetic visual inventions and great suggestive power. Christoph von Dohnányi guarantees an impressive musical interpretation. The conductor, who has campaigned for the musical avant-garde throughout his life, knows the highly complex, twelve-tone score of Schönberg like no other: as early as the 1970s, he conducted pioneering performances of this work in Frankfurt and Vienna and in 1995 in Paris.

MOSES AND ARON - SCHÖNBERG

Parsifal

Amfortas

Z mrtvého domu

Šiškov

Salome

Jochanaan

Soumrak bohů

Gunther

Ariadna na Naxu

Ein Musiklehrer

Císař a tesař

Peter der Erste

Perníková chaloupka

Peter

Rytíř růže

Herr von Faninal

Capriccio

La Roche

Lohengrin

Friedrich von Telramund

Veselá Vdova

Graf Danilo Danilowitsch

Mathis der Maler

Ptáci

Ratefreund

Wozzeck

Arabella

Mandryka

Netopýr

Gabriel von Eisenstein

Genoveva

Siegfried

Die Meistersinger von Nürnberg

Hans Sachs

Tristan a Isolda

Kurwenal

Rienzi, der letzte der Tribunen

Paolo Orsini

Die Jakobsleiter

Der Auserwählte

Palestrina

Carlo Borromeo

Jonny hraje

Der Violinvirtuose Daniello

Oedipe

Créon

Gabriel

Gesualdo

Don Carlo Gesualdo

Peter Grimes

Balstrode

Mojžíš a Áron

Moses

Kouzelná flétna

Erster Priester

Ein Offizier

Olivier

Hoffmannovy Povídky

Hermann

Schlémil

Acht Diener

Der Graf

Karmen

Moralès

Rýnské zlato

Donner

Der Besuch der alten Dame

Der Arzt

Der Junge Lord

Sekretär

2. Nazarener

No role specified

Schwarzwaldmädel

Venus und Adonis

Harlekin

Sant'Alessio

Il Papa

Peter Weber

Výkonnostní kredity

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