Silent

Philipp Riehle

Singer

Artist

Approved

2019

Individual contributor id

include virtual contributors

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

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Lighting designer

Makeup artist

Orchestra

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Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

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Wig & Makeup Designer

Writer

Writing and performance

Baritone

Countertenor

Bass-baritone

Mezzo-soprano

Soprano

Contralto

Tenor

Bass

Alto

Child vocalist

Continuo

Spoken

Anti-social fisherman gets boys from the poor house and drives them to their deaths through slave labor – this is how the tabloid »Peter Grimes« would summarize the headline. But what Benjamin Britten makes of this story about a poor fishing village on the English east coast is much more. In his first opera from 1945, the English composer succeeds in creating a whole world with all its opposites and contradictions: the small town of Borough, the outsider Peter Grimes, who dreams of his rise, the teacher Ellen, who until the end stops him, the ignorance and bigotry of society. His protagonist is brutal and vulnerable, guilty and discriminated at the same time. The fact that director Markus Dietz was originally an actor is a good prerequisite for creating such a difficult character study. Having already staged the visually stunning Rise and Fall of the City of Mahagonny at the National Theater, he now turns to Britten's veristic opera, which he reads as a moral challenge to the audience. And at the same time as a grandiose description of an overwhelming nature with musical means. #verybritish #windandweather #workerlife Musical direction: Alexander Soddy Director: Markus Dietz Stage: Ines Nadler Costumes: Henrike Bromber Light: Florian Arnholdt Dramaturgy: Albrecht Puhlmann / Ruth-Maria Zapf Choirs: Dani Juris Peter Grimes: Roy Cornelius Smith Ellen Orford: Astrid Kessler Balstrode: Thomas Berau Auntie: Rita Kapfhammer 1. Niece: Natalija Cantrak 2. Niece: Ji Yoon Bob Boles: Raphael Wittmer Swallow: Sung Ha Mrs. Sedley: Marie-Belle Sandis Rev. Horace Adams: Uwe Eikotter Ned Keene: Ilya Lapich Hobson: Marcel Brunner dr Crabbe: Albrecht Puhlmann Boy (John): Luc Clauss / Philipp Riehle With the opera choir and the extra choir More information and all performance dates at http://bit.ly/NTM_Peter_Grimes

»Peter Grimes« von Benjamin Britten

Peter Grimes

John

Philipp Riehle

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