Name: 3. Philharmonisches Konzert
Start: 2024-11-03T00:00:00.000Z
End: 2024-11-04T00:00:00.000Z
Location: Elbphilharmonie

Admin

YunPeng Zhao

violin

Léo Marillier

Franck Chevalier

viola

Alexis Descharmes

violoncello

Conductor

Kent Nagano

Orchestra

Philharmonic State Orchestra Hamburg

Others

Quatuor Diotima

Staatsoper Hamburg

Elbphilharmonie & Laeiszhalle Hamburg

Instrumentalist

Organist

Iveta Apkalna

Organ

3. Philharmonisches Konzert

Hamburg

Germany

Elbphilharmonie

Grosser Saal

3. Philharmonisches Konzert: Tanzsuite Mit Deutschlandlied Lachenmann (+1 More)

Public

Private

Concert

Oratorio / Orchestral

Tanzsuite Mit Deutschlandlied

Symphony No.3 in C minor Op.78

Larissa Andrea Pereira

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Soprano

Tenor

Bass

Baritone

Bass-baritone

Mezzo-soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Wenn in Helmut Lachenmanns 1980 entstandener „Tanzsuite mit Deutschlandlied“ irgendwann gegen Ende tatsächlich Haydns Kaiserquartett zitiert oder zumindest angedeutet wird, ist längst klar, dass hier keine Hymne mitgesungen werden soll. Und auch von Tanzen kann in diesem Stück von einem der zentralen Komponisten der vergangenen Jahrzehnte keine Klangrede sein. In diesem provokanten, einst natürlich in Donaueschingen uraufgeführten Werk, das hier mithilfe des aufsehenerregenden Quatuor Diotima Streichquartetts aus Paris aufgeführt wird, ging es Lachenmann um Geräusche, um Brüche, um die Frage, was das eigentlich ist, ein Ton.
Und diese Frage stellt auch – auf freilich andere Weise – Camille Saint-Saëns‘ „Orgelsymphonie“. Iveta Apkalna, Titularorganistin der Elbphilharmonie, wird den Großen Saal mit 69 Registern samt 4.765 Pfeifen volltönend zum Klingen bringen. Über seine letzte Symphonie sagte der französische Komponist vielversprechend: „Mit ihr habe ich alles gegeben, was ich geben konnte … so etwas wie dieses Werk werde ich nie wieder schreiben.“

Deutsch

When Helmut Lachenmann's "Tanzsuite mit Deutschlandlied", composed in 1980, actually quotes or at least alludes to Haydn's Imperial Quartet at some point towards the end, it has long been clear that no anthem is being sung here. And there can be no talk of dancing in this piece by one of the central composers of the past decades. In this provocative work, which of course was once premiered in Donaueschingen and is performed here with the help of the sensational Quatuor Diotima string quartet from Paris, Lachenmann was concerned with sounds, with breaks, with the question of what a sound actually is.
And Camille Saint-Saëns' "Organ Symphony" also poses this question - albeit in a different way. Iveta Apkalna, titular organist of the Elbphilharmonie, will make the Great Hall resound with 69 stops and 4,765 pipes. The French composer said promisingly about his last symphony: "With it, I gave everything I could give ... I will never write anything like this work again."

English

3. Philharmonisches Konzert by Lachenmann, Saint-Saëns, Dum 03 Nov. 2024, De la (2024/2024), Dirijor Kent Nagano, Elbphilharmonie, Hamburg, Germany

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