Name: 3. Philharmonisches Konzert
Start: 2024-11-03T00:00:00.000Z
End: 2024-11-04T00:00:00.000Z
Location: Elbphilharmonie

Admin

Instrumentalist

YunPeng Zhao

violin

Léo Marillier

Franck Chevalier

viola

Alexis Descharmes

violoncello

Conductor

Kent Nagano

Orchestra

Philharmonic State Orchestra Hamburg

Others

Quatuor Diotima

Staatsoper Hamburg

Elbphilharmonie & Laeiszhalle Hamburg

Organist

Iveta Apkalna

Organ

3. Philharmonisches Konzert

Hamburg

Germany

Elbphilharmonie

Grosser Saal

3. Philharmonisches Konzert: Tanzsuite Mit Deutschlandlied Lachenmann (+1 More)

Public

Private

Concert

Oratorio / Orchestral

Tanzsuite Mit Deutschlandlied

Symphony No.3 in C minor Op.78

Larissa Andrea Pereira

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

Bass-baritone

Mezzo-soprano

Baritone

Contralto

Tenor

Soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Wenn in Helmut Lachenmanns 1980 entstandener „Tanzsuite mit Deutschlandlied“ irgendwann gegen Ende tatsächlich Haydns Kaiserquartett zitiert oder zumindest angedeutet wird, ist längst klar, dass hier keine Hymne mitgesungen werden soll. Und auch von Tanzen kann in diesem Stück von einem der zentralen Komponisten der vergangenen Jahrzehnte keine Klangrede sein. In diesem provokanten, einst natürlich in Donaueschingen uraufgeführten Werk, das hier mithilfe des aufsehenerregenden Quatuor Diotima Streichquartetts aus Paris aufgeführt wird, ging es Lachenmann um Geräusche, um Brüche, um die Frage, was das eigentlich ist, ein Ton.
Und diese Frage stellt auch – auf freilich andere Weise – Camille Saint-Saëns‘ „Orgelsymphonie“. Iveta Apkalna, Titularorganistin der Elbphilharmonie, wird den Großen Saal mit 69 Registern samt 4.765 Pfeifen volltönend zum Klingen bringen. Über seine letzte Symphonie sagte der französische Komponist vielversprechend: „Mit ihr habe ich alles gegeben, was ich geben konnte … so etwas wie dieses Werk werde ich nie wieder schreiben.“

Deutsch

When Helmut Lachenmann's "Tanzsuite mit Deutschlandlied", composed in 1980, actually quotes or at least alludes to Haydn's Imperial Quartet at some point towards the end, it has long been clear that no anthem is being sung here. And there can be no talk of dancing in this piece by one of the central composers of the past decades. In this provocative work, which of course was once premiered in Donaueschingen and is performed here with the help of the sensational Quatuor Diotima string quartet from Paris, Lachenmann was concerned with sounds, with breaks, with the question of what a sound actually is.
And Camille Saint-Saëns' "Organ Symphony" also poses this question - albeit in a different way. Iveta Apkalna, titular organist of the Elbphilharmonie, will make the Great Hall resound with 69 stops and 4,765 pipes. The French composer said promisingly about his last symphony: "With it, I gave everything I could give ... I will never write anything like this work again."

English

3. Philharmonisches Konzert by Lachenmann, Saint-Saëns, mán 04 nóv 2024, Frá (2024/2024), Hljómsveitarstjóri Kent Nagano, Elbphilharmonie, Hamburg, Germany

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