Name: 8. Sinfoniekonzert
Start: 2024-04-04T00:00:00.000Z
End: 2024-04-05T00:00:00.000Z
Location: Theater Erfurt

Organization

Theater Erfurt

Orchestra

Philharmonisches Orchester Erfurt

Conductor

Mikhel Kütson

Singer

Soprano

Claire Rutter

Mezzo-soprano

Valeria Mudra

Tenor

Brett Sprague

Bass

Kakhaber Shavidze

Others

Philharmonischer Chor Erfurt

8. Sinfoniekonzert

Erfurt

Germany

Großes Haus

8. Sinfoniekonzert: Messa da Requiem Verdi

Public

Private

Requiem Mass

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Baritone

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

With his Requiem, Giuseppe Verdi created an impressive work that is still one of the most important pieces in music literature for choir and orchestra. What is special about Verdi's funeral mass is that it was not intended for a sacred performance, but was conceived for a performance as part of a concert.

A first idea for writing a musical mass came to the Italian composer, who had made his name with secular operas on the theater stage, in 1868 - the year in which his compatriot Gioachino Rossini had died. Verdi proposed to his publisher Ricordi that he would work with various composers to write and perform a requiem on the first anniversary of Rossini's death. But that didn't happen for a variety of reasons. It was not until the death of the national poet Manzoni in 1873 that Verdi took the opportunity to compose his own requiem. As a basis for this, he took the part he had completed in 1868 from the Mass intended for Rossini and worked it out into his Requiem, which is known in its present form.

With his choral symphonic work, Verdi achieved a unique fusion of the Catholic liturgy with thoroughly human emotions: in his “best opera”, as the epochal work was repeatedly somewhat jokingly called, Verdi addresses themes such as the fear of death and the end of the world, human grief and divine punishment, but also farewell and eternity.

English

Mit seinem Requiem schuf Giuseppe Verdi ein imposantes Werk, welches bis heute zu den bedeutendsten Stücken der Musikliteratur für Chor und Orchester zählt. Das besondere an Verdis Totenmesse ist, dass sie nicht für eine sakrale Auﬀührung gedacht war, sondern für eine Darbietung im Rahmen eines Konzerts konzipiert wurde.

Eine erste Idee für das Schreiben einer musikalischen Messe kam dem italienischen Komponisten, der sich eher einen Namen mit weltlichen Opern auf der Theaterbühne gemacht hatte, 1868 – dem Jahr, in dem sein Landsmann Gioachino Rossini gestorben war. Seinem Verleger Ricordi unterbreitete Verdi das Vorhaben, gemeinsam mit verschiedenen Komponisten zu Rossinis erstem Todestag ein Requiem zu schreiben und aufzuführen. Doch dazu kam es aus vielerlei Gründen nicht. Erst den Tod des Nationaldichters Manzoni 1873 nahm Verdi zum Anlass, ein komplett eigenes Requiem zu komponieren. Er nahm als Basis dazu seinen im Jahr 1868 fertiggestellten Part aus der für Rossini angedachten Messe und arbeitete diesen zu seinem in der heutigen Form bekannten Requiem aus.

Verdi gelang mit seinem chorsinfonischen Werk eine einzigartige Verschmelzung der katholischen Liturgie mit durchaus menschlichen Emotionen: Verdi spricht in seiner „besten Oper“, wie das epochale Werk immer wieder etwas scherzhaft genannt wurde, Themen wie Todesangst und Weltuntergang, menschliche Trauer und göttliche Strafe, aber auch Abschied und Ewigkeit an.

Deutsch

8. Sinfoniekonzert by Verdi, pen 05 bal 2024, Nuo (2024/2024), Dirigentas Mikhel Kütson, Theater Erfurt, Erfurt, Germany

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