Name: Aida
Start: 2021-11-26T00:00:00.000Z
End: 2022-07-06T00:00:00.000Z
Location: Grosser Saal Musiktheater

Organization

Stage director

Sabine Hartmannshenn

Conductor

Enrico Calesso

Costume designer

Edith Kollath

Set designer

Stephan Heinrichs

Choreographer

Jörn-Felix Alt

Dramaturge

Christoph Blitt

Anna Maria Jurisch

Tenor

Jin-Hun Lee

A messenger

Domen Fajfar

Chorus master

Elena Pierini

Second musical director

Claudio Novati

Baritone

Krum Galabov

Amonasro

Soprano

Sonja Šarić

Aida

Sung-Kyu Park

Radames

Mezzo-soprano

Elena Batoukova-Kerl

Amneris

Adam Kim

Bass

Dominik Nekel

Ramfis

Michael Wagner

The King of Egypt

Gotho Griesmeier

A high priestess

Martin Zeller

Markus Poschner

Petar Naydenov

Tatiana Larina

Orchestra

Bruckner Orchester Linz

Others

Choir of the Landestheater Linz

Extrachor des Landestheaters Linz

Landestheater Linz Musiktheater

italiera

Linz

Austria

Grosser Saal Musiktheater

Aida Verdi

Public

alemana

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Lighting designer

Dancer

Actor

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Contralto

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Verdi's most spectacular opera, composed at the height of his fame by order of the Khedive and Egyptian viceroy Ismael Pasha in 1870/1871, tells an impossible love story in times of war between the enslaved Ethiopian king's daughter Aida, the Egyptian general Radamès and

Verdi's most spectacular opera, composed at the height of its fame on behalf of the Khedive and Egyptian viceroy Ismael Pascha in 1870/1871, tells an impossible love story in times of war between the enslaved Ethiopian king's daughter Aida, the Egyptian general Radamès and the pharaoh's daughter Amneris. Love, jealousy, patriotism and a sense of duty shape the conflicts of these three protagonists.



But the historical places, people and their actions do not function in Aida as ancient finds of archaeological research, but as living metaphors. They formulate the critical condition of the individual in the midst of encrusted systems and competing power relations, the disorientation of the individual in a hectically developing European humanity at the end of the 19th century, gripped by the fever of expansion and progress. Flanked by immortal opera melodies such as “Celeste Aida” or the Triumphal March, Verdi's unique psycho thriller culminates in the touching sacrificial and love death of the heroine.

English

Aida by Verdi, ol. 25 ots. 2022, Noiztik (2021/2022), Zuzendaria Sabine Hartmannshenn,, Zuzendaria Enrico Calesso, Markus Poschner, Grosser Saal Musiktheater, Linz, Austria

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