Name: Amadigi di Gaula
Start: 2013-04-25T00:00:00.000Z
End: 2013-04-25T00:00:00.000Z
Location: Theater an der Wien

Organization

Singer

Countertenor

Sonia Prina

Amadigi

Soprano

Roberta Mameli

Oriana

Emőke Baráth

Melissa

Contralto

Romina Basso

Dardano

Conductor

Alan Curtis

MusikTheater an der Wien

Orchestra

Il Complesso Barocco

italijanščina

Amadigi di Gaula -  (Amadis of Gaul)

Vienna

Austria

Theater an der Wien

Amadis of Gaul

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Tenor

Baritone

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Amadigi and his companion Dardano want to escape from Melissa's magic garden. But the sorceress wants to win the Gallic knight for herself. But Amadigi has fallen in love with another woman. When he shows Dardano a
portrait of his beloved, the latter is horrified. He loves the same woman, the beautiful princess Oriana. Melissa keeps Oriana imprisoned in a tower, only the strongest of the heroes can succeed in passing Melissa's tests and freeing Oriana. The world of magic, which
plays an important role in many of Handel's works , was actually the domain of French opera. The representation of the supernatural combined mythological and literary subjects and came from French chivalric novels or Italian verse.
Amadigi di Gaulais based on the rare conversion of a French into an Italian libretto. Handel's librettist used the tragédie lyrique Amadis de Grèce by Antoine Houdar de la Motte from 1699, which had been set to music by André Destouches. The epic of Amadis of Gaul is based on the Arthurian legend, the adventures of the invincible Gaul appeared in many sequels and expansions

English

Amadis of Gaul by Händel, čet. 25 apr. 2013, Od (2013/2013), Dirigent Alan Curtis, Theater an der Wien, Vienna, Austria

Krediti za predstavo (Zasedba in producentska ekipa )

Igralska zasedba

Ansambel

Program, O in Sinopsis

Dodatno branje

Datumi in prizorišča nastopov

Lokacija