Name: Ariodante
Start: 2022-11-07T00:00:00.000Z
End: 2022-11-07T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Conductor

George Petrou

Singer

Soprano

Mélissa Petit

Ginevra

Countertenor

Franco Fagioli

Ariodante

Sarah Gilford

Dalinda

Contralto

Luciana Mancini

Polinesso

Tenor

Nicolas Phan

Lurcanio

Bass

Alex Rosen

The King of Scotland

Théâtre des Champs-Elysées

Others

Il Pomo d'Oro

itaalia

Paris

France

Public

prantsuse

inglise

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Handel's twenty-ninth Italian opera, Ariodante was the composer's first operatic work expressly conceived for the brand new Covent Garden theatre. It was, with Alcina , which dates from the same year 1735, one of the last Italian opuses thanks to which the musician enjoyed success in London. The art of composition so inventive in Handel can be heard here in each number, mainly in a vocal writing which flourishes thanks to new expressive means but also in the expansion of the musical vocabulary, which is not repugnant to draw on French material. Handel is here at the height of his art in a perfect demonstration of colorful lyrical writing in all the most subtle nuances.

English

Vingt-neuvième opéra italien de Haendel, Ariodante fut le premier ouvrage lyrique expressément conçu par le compositeur pour le tout nouveau théâtre de Covent Garden. Ce fut, avec Alcina, qui date de cette même année 1735, l’un des derniers opus italiens grâce auxquels le musicien connut le succès à Londres. L’art de la composition si inventif chez Haendel s’entend ici à chaque numéro, principalement dans une écriture vocale qui s’épanouit grâce à de nouveaux moyens expressifs mais également dans l’élargissement du vocabulaire musical, qui ne répugne d’ailleurs pas à puiser dans la matière française. Haendel est ici au sommet de son art dans une démonstration parfaite d’écriture lyrique haute en couleurs déclinées dans toutes les nuances les plus subtiles.

français

Ariodante by Händel, E 07 nov 2022, Alates (2022/2022), Dirigent George Petrou, Théâtre des Champs-Elysées, Paris, France

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Programm, teave ja kokkuvõte

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