Name: Auferstehung
Start: 2023-03-20T00:00:00.000Z
End: 2023-03-21T00:00:00.000Z
Location: Kongress am Park

Organization

Conductor

Domonkos Héja

Singer

Soprano

Jihyun Cecilia Lee

Mezzo-soprano

Ekaterina Aleksandrova

Mezzo-Soprano

Staatstheater Augsburg

Orchestra

Augsburg Philharmonic

Others

Opernchor des Staatstheater Augsburg

Auferstehung

Augsburg

Germany

Kongress am Park

Auferstehung: Symphony No. 2 in C minor, ("Ressurection Symphony")

Public

Symphony No. 2 in C Minor, ("Resurrection Symphony")

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Bass

Bass-baritone

Countertenor

Contralto

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Mahler was already striving for the larger form with his second symphony: he significantly expanded the scope and the orchestration and included solo singers and the choir. Programmatically, Mahler's thoughts revolve around the religious-existential theme of death as the end of earthly life and the beginning of contemplation into divine eternity. It was not without reason that the symphony was later given the name »Resurrection Symphony«.

English

Bereits mit seiner zweiten Sinfonie strebte Mahler nach der Großform: Er erweiterte deutlich den Umfang und die Orchesterbesetzung und band Gesangssolistinnen und Chor mit ein. Programmatisch kreisen die Gedanken Mahlers um das religiös-existenzielle Thema des Todes als Ende des irdischen Lebens und Beginn der Einkehr in die göttliche Ewigkeit. Nicht grundlos erhielt die Sinfonie später den Namen »Auferstehungssinfonie«.

Deutsch

Auferstehung by Mahler, O 21 mar 2023, No (2023/2023), Diriģents Domonkos Héja, Kongress am Park, Augsburg, Germany

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