Name: Aufstieg und Fall der Stadt Mahagonny
Start: 2015-03-10T00:00:00.000Z
End: 2015-04-04T00:00:00.000Z
Location: Royal Opera House

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Organization

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Mezzo-soprano

Anne Sofie von Otter

Leokadja Begbick

Tenor

Peter Hoare

Fatty der Prokurist

Baritone

Willard White

Trinity Moses

Soprano

Christine Rice

Jenny

Kurt Streit

Jimmy Mahoney

Jeffrey Lloyd-Roberts

Jack

Darren Jeffery

Bill

Bass

Neal Davies

Hubert Francis

Toby Higgins

Conductor

Mark Wigglesworth

Stage director

John Fulljames

Assistant Director

Greg Eldridge

Anush Hovhannisyan

First girl

Royal Opera House

Orchestra

Orchestra of the Royal Opera House

Aufstieg und Fall der Stadt Mahagonny -  (Rise and Fall of the City of Mahagonny)

London

United Kingdom

Rise and Fall of the City of Mahagonny (German: Aufstieg und Fall der Stadt Mahagonny) is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht.

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Rise and Fall of the City of Mahagonny

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Accordionist

Instrumentalist

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Bassoonist

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Violinist

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Contralto

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

John Fulljames presents a new production of Bertolt Brecht and Kurt Weill's furiously impassioned operatic satire on consumerism. Find out more: http://www.r...

Rise and Fall of the City of Mahagonny trailer (The Royal Opera)

Opera Shorts: Old Mamas, inspired by Kurt Weill and Bertolt Brecht's Rise and Fall of the City of Mahagonny, and created by Alice Mae-Mayall, Angelia Chen and Reece Wykes, is one of a series of animated films inspired by opera and produced in collaboration with Kingston University students, 2015. 

http://www.roh.org.uk/news/new-animat...


http://www.roh.org.uk/productions/ris...


The three-year genesis of Aufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny) spanned the entire partnership between Bertolt Brecht and Kurt Weill – one of the most fruitful and shortest musical collaborations of the 20th century. The great success of their first work together, the Mahagonny Songspiel (1927), encouraged the two to adapt it into a full-length opera. But progress stalled as the two men discovered their theories were developing in deeply divergent directions: Brecht eager to pursue the disjointed effect of his theories of epic theatre, Weill looking for ways to unify very different styles of music. Concerns from first the publishers and then producers over the work's 'depravity' further increased the disruption. The riot at the opera's premiere on 9 March 1930 was the beginning of the end of Weill's career in Germany.

The troubled development of Aufstieg und Fall der Stadt Mahagonny only adds to the work's extraordinary power as one of the most unsettling and provocative of all operas. This is Weill at his most brilliant and inventive, incorporating popular song in the 'Alabama Song' and neoclassicism in the terrifying 'Hurricane fugue'. The Royal Opera's Associate Director of Opera John Fulljames directs The Royal Opera’s first production of the work in collaboration with designer Es Devlin (Don Giovanni, Les Troyens). They focus on Brecht and Weill's stinging critique of consumerism while finding new relevance in our insatiable depletion of the earth's resources.

Opera Shorts: Old Mamas, inspired by Rise and Fall of the City of Mahagonny

Rise and Fall of the City of Mahagonny by Weill, Dc. 01 Abr. 2015, De (2015/2015), Dirigit per John Fulljames,, Director musical Mark Wigglesworth, Royal Opera House, London, United Kingdom

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