Name: Beethoven och Pejacevic
Start: 2025-01-29T00:00:00.000Z
End: 2025-01-29T00:00:00.000Z
Location: Konserthuset (Stockholm Concert Hall)

Admin

Konserthuset Stockholm

Conductor

Jiří Rožeň

Orchestra

Royal Stockholm Philharmonic Orchestra

Beethoven och Pejacevic

Stockholm

Sweden

Konserthus

Stora salen

Public

Concert

Oratorio / Orchestral

Symphony in F-sharp Minor, op. 41

Egmont, op. 84

Sharan Allad

Approved

Konserthuset (Stockholm Concert Hall)

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Countertenor

Contralto

Tenor

Bass-baritone

Soprano

Mezzo-soprano

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Beethoven was drawn to figures, fictional or real, who dared to stand up against injustices. Egmont in Goethe's drama of the same name was one such fictional but clearly influential figure for Beethoven. In the overture, he summarizes the drama, from the slow introduction through tragedy to a triumphant conclusion.

The orchestra is led by the young and increasingly renowned Czech conductor Jirí Rozen, who is making his debut with the Royal Stockholm Philharmonic Orchestra.

In Dora Pejacevic's music, traces of Wagner, Brahms, and Bruckner can be found, but it is also strongly personal with rich colors and profound seriousness. After a cautious, slow introduction, the contrastive and determined music of this symphony from 1918 unfolds, painting vivid natural scenes. The music also contains exuberant pirouettes that are swept away by dazzling outbursts towards the end. It is an impressive work by a composer who was long neglected.

English

Beethoven drogs till gestalter, fiktiva eller verkliga, som vågade stå upp mot orättvisor. Egmont i Goethes drama med samma namn var en sådan fiktiv men för Beethoven tydlig förebild. I uvertyren summerar han dramat, från den långsamma introduktionen genom tragedi till ett triumfartat slut.

Orkestern leds av den unge och alltmer uppmärksammade tjeckiske dirigenten Jirí Rozen, som här gör sin debut med Kungliga Filharmonikerna.

I Dora Pejacevic musik finns spår av Wagner, Brahms och Bruckner, men den är samtidigt starkt personlig med rika färger och ett djuplodande allvar. Efter en försiktig, långsam inledning över den här symfonin från 1918 i kontrastrik och bestämd musik, där starka naturscenerier målas upp. I musiken hörs även sprudlande piruetter som mot slutet sveps bort av blixtrande urladdningar. Det är ett imponerande verk av en tonsättare som länge försummades.

svenska

Beethoven och Pejacevic by Pejačević, Beethoven, ons. 29 jan. 2025, Fra (2025/2025), Dirigent Jiří Rožeň, Konserthuset (Stockholm Concert Hall), Stockholm, Sweden

Forestilling krediteringer (Medvirkende & Produktionshold )

Ensemble

Program, Information & Oversigt

Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder