Name: Begehren — Klangforum Wien · Cantando Admont · Furrer
Start: 2024-07-29T00:00:00.000Z
End: 2024-07-29T00:00:00.000Z
Location: Kollegienkirche

Organization

Admin

Salzburger Festspiele

Direzione d'orchestra

Beat Furrer

Direzione del coro

Cordula Bürgi

Others

Klangforum Wien

Cantando Admont

Cantante

Soprano

Sarah Aristidou

Basso

Christoph Brunner

Begehren — Klangforum Wien · Cantando Admont · Furrer

Salisburgo

Austria

Kollegienkirche

Public

Begehren

Sharan Allad

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Costumi

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Mezzosoprano

Baritono

Controtenore

Tenore

Contralto

Alto

Continuo

Mimi

Narrazione

Voce bianca

‘Shadow’ is the first word in Beat Furrer’s music theatre work Begehren (Desire), based on texts by Cesare Pavese, Günter Eich, Ovid and Virgil. And it is from the shadows that the sounds emerge, in the form of single lines murmuring, whispering and flickering as they rise upwards. Two people set out from the underworld, hoping to see daylight again. The decision to turn around, to look back, is also an emotional turning point: one that freezes this tragic moment in time, to be relived over and over again. But this is only the beginning of a relationship drama that is obsessively concerned with remembering and searching. With Begehren, a reinterpretation of the myth of Orpheus and Eurydice, Beat Furrer has created one of his most haunting works of music theatre.

English

„Schatten“ lautet das erste Wort in Beat Furrers Musiktheater Begehren nach Texten von Cesare Pavese, Günter Eich, Ovid und Vergil. Und aus dem Schatten treten die Klänge hervor: Einzelne Linien steigen an, sie raunen, wispern, züngeln. Zwei Menschen streben aus der Unterwelt dem Licht des Tages zu. Sein Blick zurück zu ihr ist der Wendepunkt in doppeltem Sinn: Der tragische Moment wird eingefroren, immer wieder aufs Neue durchlitten. Doch das ist nur der Anfang eines Beziehungsdramas, das obsessiv um Erinnern und Suchen kreist. Mit Begehren, einer Neudeutung des Mythos von Orpheus und Eurydike, schuf Beat Furrer eines seiner eindringlichsten Musiktheaterwerke.

Deutsch

Begehren — Klangforum Wien · Cantando Admont · Furrer by Furrer, lun 29 lug 2024, Da (2024/2024), Direttore d'orchestra Beat Furrer, Kollegienkirche, Salisburgo, Austria

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